Evidences of Progress Among Colored PeopleRichings, G. F.
History
Evidences of Progress Among Colored People
Richings, G. F.
African Americans
Miss Gibbs entered the Oberlin Public School at six, and began the
study of music at nine under the direction of her sister, who at that
time had made considerable advancement in that study. At eleven she
entered the Oberlin Conservatory of Music, and also kept up her studies
in school for three years, after which she entered the high school and
devoted all her time to those studies. After two years of hard study
of Greek, Latin and Mathematics, she graduated with honors before her
fifteenth birthday.
As a student she was an untiring worker, her hours for study
encompassed almost the entire day. She accustomed herself to rising at
four o'clock to begin her practice.
[Illustration: PROF. HATTIE A. GIBBS.]
In the Conservatory Department of Oberlin College the attendance is
about 500, and out of this number the average attendance of colored
students is eight or ten. Students are required to finish a course
of three studies before a diploma is awarded. Besides finishing the
studies of piano, pipe organ and harmony, she had the advantage of
several terms in voice culture, and since her graduation she has made
special study of the violin in order to better prepare herself as
director of Eckstein Norton Conservatory of Music, of which she was a
founder and of which she is now in charge.
The women of the race should be proud of her. The people of Kentucky
should be proud that one so able has placed her services within reach,
and ought to show the colored peoples' appreciation, by contributing
money toward erecting such suitable buildings, as will stand long after
the founder is numbered with the dead--a race monument in itself.
In disposition Miss Gibbs is amiable; in mind she is great; in heart
she is noble; in manners she is gentle; she has a steadfast and
undeviating love of truth, fearless and straightforward in action and
integrity and an honor ever unsullied by an unworthy word or deed, and
after all, these traits so prominent in her make-up make her greater
than her worldly success in her art, for in themselves they constitute
greatness.
She has a clever handicraft at all the arts commonly styled "woman's
work." Not only have her hands been trained to glide dexterously over
the keyboard, but she has made every day of her life tell, and the
result of her industry is that she is skilled in painting, crayon work,
artistic embroidery, dressmaking, cooking and all that goes to make up
an accomplished woman.
This brief sketch has been given with the hope that young people, who
wish to accomplish any particular pursuit in life, may herein find an
example of what a woman can do, and the truth may be brought to them
that "there is no excellence without great labor."
GLOUCESTER AGRICULTURAL AND INDUSTRIAL SCHOOL.
[Illustration: PROF. W. B. WEAVER.]
Public-domain text, read in full here on John Shaqi.
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