Weismann states that those critics who maintain that selection cannot
create, but only reject, “fail to see that precisely through this
rejection its creative efficacy is asserted.” There is raised here,
though not for the first time, a point that is of no small importance
for both Darwinians and anti-Darwinians to consider; for, without
further examination, it is by no means self-evident, as Weismann
implies, that by exterminating all variations that are below the average
the standard of successive generations could ever be raised beyond the
most extreme fluctuating variation. At least this appears to be the case
if individual, fluctuating variations be the sort selected, and it is to
this kind of variation to which Weismann presumably refers. Without
discussing this point here, let us examine further what Weismann has to
say. He thinks that while in each form there may be a very large number
of possible variations, yet there are also impossible variations as
well, which do not appear. “The cogency, the irresistible cogency as I
take it, of the principle of selection is precisely its capacity of
explaining why fit structures always arise, and this certainly is the
great problem of life.” Weismann points out that it is a remarkable fact
that to-day, after science has been in possession of this principle for
something over thirty years, “during which time she has busily occupied
herself with its scope, the estimation in which the theory is held
should be on the decline.” “It would be easy to enumerate a long list of
living writers who assign to it a subordinate part only in evolution, or
none at all.” “Even Huxley implicitly, yet distinctly, intimated a doubt
regarding the principle of selection when he said: ‘Even if the
Darwinian hypothesis were swept away, evolution would still stand where
it is.’ Therefore he, too, regarded it as not impossible that this
hypothesis should disappear from among the great explanatory principles
by which we seek to approach nearer to the secrets of nature.”
Public-domain text, read in full here on John Shaqi.
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