A treatise written to advance knowledge may be read in two moods. The
reader may keep his mind passive, willing merely to receive the
impress of the writer's thought; or he may read with his attention
strained and alert, asking at every instant how the new knowledge can
be used in a further advance, watching continually for fresh footholds
by which to climb higher still. Of Shelley it has been said that he
was a poet for poets: so Darwin was a naturalist for naturalists. It
is when his writings are used in the critical and more exacting spirit
with which we test the outfit for our own enterprise that we learn
their full value and strength. Whether we glance back and compare his
performance with the efforts of his predecessors, or look forward
along the course which modern research is disclosing, we shall honour
most in him not the rounded merit of finite accomplishment, but the
creative power by which he inaugurated a line of discovery endless in
variety and extension. Let us attempt thus to see his work in true
perspective between the past from which it grew, and the present which
is its consequence. Darwin attacked the problem of Evolution by
reference to facts of three classes: Variation; Heredity; Natural
Selection. His work was not as the laity suppose, a sudden and
unheralded revelation, but the first fruit of a long and hitherto
barren controversy. The occurrence of variation from type, and the
hereditary transmission of such variation had of course been long
familiar to practical men, and inferences as to the possible bearing
of those phenomena on the nature of specific difference had been from
time to time drawn by naturalists. Maupertuis, for example, wrote: "Ce
qui nous reste à examiner, c'est comment d'un seul individu, il a pu
naître tant d'espèces si différentes." And again: "La Nature contient
le fonds de toutes ces variétés: mais le hasard ou l'art les mettent
en œuvre. C'est ainsi que ceux dont l'industrie s'applique à
satisfaire le goût des curieux, sont, pour ainsi dire, créateurs
d'espèces nouvelles."[56]
Public-domain text, read in full here on John Shaqi.
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