But even more harmful to the reading public of England and America are the hastily formed yet, nevertheless, widely published opinions of tourists and newspaper correspondents. Could such writers realize the inevitable limitations under which they see and try to generalize, the world would be spared many crudities and exaggerations, not to say positive errors. The impression so common to-day that Japan's recent developments are anomalous, even contrary to the laws of national growth, is chiefly due to the superficial writings of hasty observers. Few of those who have dilated ecstatically on her recent growth have understood either the history or the genius of her people. "To mention but one among many examples," says Prof. Chamberlain, "the ingenious Traveling Commissioner of the _Pall Mall Gazette_, Mr. Henry Norman, in his lively letters on Japan published nine or ten years ago, tells the story of Japanese education under the fetching title of 'A Nation at School'; but the impression left is that they have been their own schoolmasters. In another letter on 'Japan in Arms,' he discourses concerning 'The Japanese Military Re-organizers,' 'The Yokosuka dockyard,' and other matters, but omits to mention that the reorganizers were Frenchmen, and that the Yokosuka dockyard was also a French creation. Similarly, when treating of the development of the Japanese newspaper, he ignores the fact that it owed its origin to an Englishman, which surely, to a man whose object was reality, should have seemed an object worth recording. These letters, so full and apparently so frank, really so deceptive, are, as we have said, but one instance among many of the way in which popular writers on Japan travesty history by ignoring the part which foreigners have played. The reasons for this are not far to seek. A wonderful tale will please folks at a distance all the better if made more wonderful still. Japanese progress, traced to its causes and explained by references to the means employed, is not nearly such fascinating reading as when represented in the guise of a fairy creation, sprung from nothing, like Aladdin's palace."--"_Things Japanese," p. 116_.