In addition to the preceding illustrations of visionary and fanciful traits, let the reader reflect on the significance of the comic and of caricature in art. Japanese _Netsuke_ (tiny carvings of exquisite skill representing comical men, women, and children) are famous the world over. Surely, the fancy is the most conspicuous mental characteristic revealed in this branch of Japanese art. In Japanese poetry "a vast number of conceits, more or less pretty," are to be found, likewise manifesting the fancy of both the authors who wrote and the people who were pleased with and preserved their writings.[AT] The so-called "impersonal habit of the Japanese mind," with a corresponding "lack of personification of abstract qualities," doubtless prevents Japanese literature from rising to the poetic heights attained by Western nations. But this lack does not prove the Japanese mind incapable of such flights. As describing the actual characteristics of the literature of the past the assertion of "a lack of imaginative power" is doubtless fairly correct. But the inherent nature of the Japanese mind cannot be inferred from the deficiencies of its past literature, without first examining the relation between its characteristic features and the nature of the social order and the social inheritance. Are the Japanese conspicuously deficient in imagination, in the sense of the definition given above? The constructive imagination is the creator of civilization. Not only art and literature, but, as already noted, science, philosophy, politics, and even the practical arts and prosaic farming are impossible without it. It is the tap-root of invention, of discovery, of originality. It is needless to repeat what has been said in previous chapters[AU] on Japanese imitation, invention, discovery, and originality. Yet, in consideration of the facts there given, are we justified in counting the Japanese so conspicuously deficient in constructive, imagination as to warrant the assertion that such a lack is the fundamental characteristic of the race psychic nature? As an extreme case, look for a moment at their imitativeness. Although imitation is considered a proof of deficient originality, and thus of imagination, yet reflection shows that this depends on the nature of the imitation. Japanese imitation has not been, except possibly for short periods, of that slavish nature which excludes the work of the imagination. Indeed, the impulse to imitation rests on the imagination. But for this faculty picturing the state of bliss or power secured in consequence of adopting this or that feature of an alien civilization, the desire to imitate could not arise. In view, moreover, of the selective nature of Japanese imitation, we are further warranted in ascribing to the people no insignificant development of the imagination.