"That an animal is a machine, is a proposition neither correctly true nor wholly false.... I contend that there is a mechanism in animals; that this mechanism is as properly such, as it is in machines made by art; that this mechanism is intelligible and certain; that it is not the less so because it often begins and terminates with something which is not mechanical; that wherever it is intelligible and certain, it demonstrates intention and contrivance, as well in the works of nature as in those of art; and that it is the best demonstration which either can afford."[13] There is only one legitimate inference deducible from these premises if they are admitted as sound, namely, that there must have existed "_at some time, and in some place, an artificer_" who formed the animal mechanism after much the same mental processes of observation, endeavour, successful contrivance, and after a not wholly unlike succession of bodily actions, as those with which a watchmaker has made a watch. Otherwise the conclusion is impotent, and the whole argument becomes a mere juggle of words. "Now, supposing or admitting," continues Paley, "that we know nothing of the proper internal constitution of a gland, or of the mode of its acting upon the blood; then our situation is precisely like that of an unmechanical looker-on who stands by a stocking loom, a corn mill, a carding machine, or a threshing machine, at work, the fabric and mechanism of which, as well as all that passes within, is hidden from his sight by the outside case; or if seen, would be too complicated for his uninformed, uninstructed understanding to comprehend. And what is that situation? This spectator, ignorant as he is, sees at one end a material enter the machine, as unground grain the mill, raw cotton the carding machine, sheaves of unthreshed corn the threshing machine, and when he casts his eye to the other end of the apparatus, he sees the material issuing from it in a new state and what is more, a state manifestly adapted for its future uses: the grain in meal fit for the making of bread, the wool in rovings fit for the spinning into threads, the sheaf in corn fit for the mill. Is it necessary that this man, in order to be convinced that design, that intention, that contrivance has been employed about the machine, should be allowed to pull it to pieces, should be enabled to examine the parts separately, explore their action upon one another, or their operation, whether simultaneous or successive, upon the material which is presented to them? He may long to do this to satisfy his curiosity; he may desire to do it to improve his theoretic knowledge; ... but for the purpose of ascertaining the existence of counsel and design in the formation of the machine, he wants no such intromission or privity. The effect upon the material, the change produced in it, the utility of the change for future applications, abundantly testify, be the concealed part of the machine,