There was an instant return of his former shyness, a hint of the child
and the invaded playhouse. But she knew what to do. Without further
remark she calmly lost herself in "Diana."
"Those books were my father's," he said at last, with the air of
addressing an explanation to some third person. She ignored this, not
even glancing at him. "But I've read them," he added, still as if to
another person.
At last, after studying her face a bit, he ventured, "Have you read them
all?" He spoke low, so as not to interrupt her too pointedly. She did
not look up, but nodded, with a smile that said confidentially, "Well, I
should think so!" He edged nearer then, like one who would be glad, if
pressed, to share his secrets.
"I was sorry when I reached the last one," he began. "It was another
world. Oh, he's a great writer. He writes as if he was thinking all the
time in fireworks, and he makes you do the same thing. Every page or two
he sets off a bunch of firecrackers in your mind that you didn't know
you had there. But he writes as if he didn't care whether anybody
understood him or not. It's a blind trail, lots of the way, and on some
pages I just bog down."
She smiled sympathetically. "Many of us have that trouble with him." She
put "Diana" back on the shelf and held up the poems of Robert Browning.
"And this?"
"Oh, do you read that, too?" he counterquestioned with sparkling
curiosity. She could see that he was enlivened beyond his
self-consciousness for the moment. "Well, I do, too, in spots. He's
pretty good in spots. But other times he's choppy and talky and has a
hard time getting into the saddle. Why, sometimes when Ben Crider is
talking to himself, it would sound just like Browning, if you broke it
up into poetry lengths and gave it a good title."
"And this you like, too?" She was opening a volume of Whitman.
"_Sure!_" he rang out. "Don't you? There's the man." He began walking
about with a fine smile that was almost a friendly grin. She felt
suddenly sure that he had never talked about the books before, and that
it was a kind of feast day for him.
"Yes," he continued easily; "when I get to feeling too much alone up
here I pretend I see him striding in off the trail, his head up,
sniffing the air, his eyes just _eating_ these big hills, and he'd march
right in and sit down. Only I can't ever think of what we'd say. I
reckon we'd sit here without a word. He must have had wonderful eyes.
He's good in winters when you're holed up here in the snow and get on
edge with nothing to do for five or six months but feed the stock and
keep a water hole open. Sometimes I wonder if Ben and I won't come out
crazy in the spring, and then I read old Whitman and he makes me feel
all easy-like and sure of myself."
He paused again, but she only waited.
Public-domain text, read in full here on John Shaqi.
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