Ex Voto: An Account of the Sacro Monte or New Jerusalem at Varallo-Sesia: With Some Notice of Tabachetti's Remaining Work at the Sanctuary of CreaButler, Samuel
Religion
Ex Voto: An Account of the Sacro Monte or New Jerusalem at Varallo-Sesia: With Some Notice of Tabachetti's Remaining Work at the Sanctuary of Crea
Butler, Samuel
Art -- Italy -- Varallo-Sesia; Sacro Monte di Varallo (Sanctuary); Tabaguet, Jean Baptiste, 1568 -1615
Transcribed from the 1890 Longmans, Green, and Co. edition by David
Price, email ccx074@pglaf.org
[Picture: Book cover]
[Picture: “Il Vecchietto.” By Tabachetti]
EX VOTO:
AN ACCOUNT OF
_The Sacro Monte or New Jerusalem_
_at Varallo-Sesia_
WITH SOME NOTICE OF
TABACHETTI’S REMAINING WORK AT THE
SANCTUARY OF CREA.
BY
SAMUEL BUTLER,
AUTHOR OF “ALPS AND SANCTUARIES,” “EREWHON,” ETC.
“Il n’a a que deux ennemis de la religion—le trop peu, et le trop; et
des deux
le trop est mille fois le plus dangereux.”—L’ABBÉ MABILLON, 1698.
OP. 9.
LONDON
LONGMANS, GREEN, AND CO.
AND NEW YORK: 15 EAST 16th STREET.
1890.
_All rights reserved_.
* * * * *
AI VARALLESI E VALSESIANI
L’AUTORE
RICONOSCENTE.
* * * * *
PREFACE.
THE illustrations to this book are mainly collotype photographs by
Messrs. Maclure, Macdonald & Co., of Glasgow. Notwithstanding all their
care, it cannot be pretended that the result is equal to what would have
been obtained from photogravure; I found, however, that to give anything
like an adequate number of photogravures would have made the book so
expensive that I was reluctantly compelled to abandon the idea.
As these sheets leave my hands, my attention is called to a pleasant
article by Miss Alice Greene about Varallo, that appeared in _The Queen_
for Saturday, April 21, 1888. The article is very nicely illustrated,
and gives a good idea of the place. Of the Sacro Monte Miss Greene
says:—“On the Sacro Monte the tableaux are produced in perpetuity, only
the figures are not living, they are terra-cotta statues painted and
moulded in so life-like a way that you feel that, were a man of flesh and
blood to get mixed up with the crowd behind the grating, you would have
hard work to distinguish him from the figures that have never had life.”
Public-domain text, read in full here on John Shaqi.
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