Ex Voto: An Account of the Sacro Monte or New Jerusalem at Varallo-Sesia: With Some Notice of Tabachetti's Remaining Work at the Sanctuary of CreaButler, Samuel
Religion
Ex Voto: An Account of the Sacro Monte or New Jerusalem at Varallo-Sesia: With Some Notice of Tabachetti's Remaining Work at the Sanctuary of Crea
Butler, Samuel
Art -- Italy -- Varallo-Sesia; Sacro Monte di Varallo (Sanctuary); Tabaguet, Jean Baptiste, 1568 -1615
That the letter of the coming faith will be greatly truer than that of
the many that have preceded it I for one do not believe. Let us have no
more “Lo heres” and “Lo theres” in this respect. I would as soon have a
winking Madonna or a forged decretal, as the doubtful experiments or
garbled articles which the high priests of modern science are applauded
with one voice for trying to palm off upon their devotees; and I should
look as hopefully for good result from a new monastery, as from a new
school of art, college of music, or scientific institution. Whatever
faith or science the world at large bows down to will in its letter be
tainted with the world that worships it. Whoever clings to the spirit
that underlies all the science obtaining among civilised peoples will
assuredly find that he cannot serve God and Mammon. The true Christ ever
brings a sword on earth as well as peace, and if he maketh men to be of
one mind in an house, he divideth a house no less surely. The way will
be straight in the future as in the past. All that can be hoped for is
that it may perhaps become a trifle more easy through the work of the
just men made perfect through suffering that have gone before, and that
he who in bygone ages would have been burnt will now be only scouted.
I have in the last few foregoing pages been trenching on somewhat
dangerous ground, but who can leave such a work as the Sacro Monte
without being led to trench on this ground, and who that trenches upon it
can fail to better understand the lesson of the Sacro Monte itself? I am
aware, however, that I have said enough if not too much, and will return
to the note struck at the beginning of my work—namely, that I have
endeavoured to stimulate study of the great works on the Sacro Monte
rather than to write the full account of them which their importance
merits. At the same time I must admit that I have had great advantages.
Not one single previous writer had ever seen an earlier work than that of
Fassola, published in 1670 [1], whereas I have had before me one that
appeared in 1586 [7]. I had written the greater part of my book before
last Christmas, and going out to Varallo at the end of December to verify
and reconsider it on the spot, found myself forced over and over again to
alter what I had written, in consequence of the new light given me by the
1586 [7] and 1590 [1] editions of Caccia. It is with profound regret
that though I have continued to search for the 1565 and 1576 editions up
to the very last moment that these sheets leave my hands, my search has
been fruitless.
Public-domain text, read in full here on John Shaqi.
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