Ex Voto: An Account of the Sacro Monte or New Jerusalem at Varallo-Sesia: With Some Notice of Tabachetti's Remaining Work at the Sanctuary of CreaButler, Samuel
Religion
Ex Voto: An Account of the Sacro Monte or New Jerusalem at Varallo-Sesia: With Some Notice of Tabachetti's Remaining Work at the Sanctuary of Crea
Butler, Samuel
Art -- Italy -- Varallo-Sesia; Sacro Monte di Varallo (Sanctuary); Tabaguet, Jean Baptiste, 1568 -1615
Over and above the advantage of having had even the later Caccia before
me, I have seen Cav. Aless. Godio’s “Cronaca di Crea,” which no previous
writer had done, inasmuch as this work has been only very lately
published. Moreover, when I was at Varallo, it being known that I was
writing on the Sacro Monte, every one helped me, and so many gave me such
important and interesting information that I found my labour a very light
and pleasant one. Especially must I acknowledge my profound obligations
to Signor Dionigi Negri, town clerk of Varallo, to Signor Galloni the
present director of the Sacro Monte, to Cav. Prof. Antonini and his son,
Signori Arienta and Tonetti, and to many other kind friends whom if I
were to begin to name I must name half the town of Varallo. With such
advantages I am well aware that the work should be greatly better than it
is; if, however, it shall prove that I have succeeded in calling the
attention of abler writers to Varallo, and if these find the present work
of any, however small, assistance to them, I shall hold that I have been
justified in publishing it. In the full hope that this may turn out to
be the case, I now leave the book to the generous consideration and
forbearance of the reader.
* * * * *
Photographs of Subjects
ON
THE SACRO MONTE.
Unreduced Prints from the Negatives used for the Illustrations given in
the foregoing pages, and from about twenty additional Negatives also
taken on the Sacro Monte at Varallo, can be had of Mr. GEORGE SALLNOW
MARTIN, Optician, Birkbeck Institution, Bream’s Buildings, Chancery Lane,
at the following prices:—
WHOLE PLATES (about 8 in. x 6 in.)—
Silver Prints, unmounted, 1s. 9d. each.
Do. in permanent Bromide Process, resembling an Engraving, 2s. 6d.
each.
Mounting on plain board, 6d., and on India tinted board, 9d. extra.
HALF PLATES (about 6 in. × 4 in.)—
Silver Prints, unmounted, 1s. each.
Do. in permanent Bromide Process, resembling an Engraving, 1s. 6d.
Mounting on plain board, 4d., and on India tinted board, 6d. extra.
Some few of the Negatives are unsuited for Bromide Process, and these
will only be printed in Silver. The original photographs used for this
book that are from Whole Plate negatives are marked with an asterisk in
the List of Illustrations at the beginning of the volume. Those not so
marked are Half Plates.
* * * * *
FOOTNOTES.
{40} “Uomini e Fatti,” &c., p. 65, &c.
{52} “Uomini e fatti,” p. 83.
{57} Fassola, p. 112.
{62} These chapels are grouped together in the 1586 edition as “la
natività di N.S. nel Presepio,” but they are separated, as they doubtless
should have been earlier, in the edition of 1590 [1591].
{65} English translation of the “Life of St. Charles Borromeo,” with
preface by Cardinal Manning. Burns & Oates, London and New York, 1884,
vol. ii. p. 47.
{66} “Storia a Guida,” ed. 1857, Varallo, p. 68.
Public-domain text, read in full here on John Shaqi.
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