Ex Voto: An Account of the Sacro Monte or New Jerusalem at Varallo-Sesia: With Some Notice of Tabachetti's Remaining Work at the Sanctuary of Crea — John Shaqi
Ex Voto: An Account of the Sacro Monte or New Jerusalem at Varallo-Sesia: With Some Notice of Tabachetti's Remaining Work at the Sanctuary of CreaButler, Samuel
Religion
Ex Voto: An Account of the Sacro Monte or New Jerusalem at Varallo-Sesia: With Some Notice of Tabachetti's Remaining Work at the Sanctuary of Crea
Butler, Samuel
Art -- Italy -- Varallo-Sesia; Sacro Monte di Varallo (Sanctuary); Tabaguet, Jean Baptiste, 1568 -1615
I should have set this bird down as a blue rock thrush or _passero
solitario_, for I know these birds breed yearly on the Sacro Monte, and
no bird sings so sweetly as they do, but we are expressly told that Caimi
did not reach Varallo till the end of the year, and the _passeri
solitarii_ have all migrated by the end of August. We have seen,
however, that Milano Scarrognini actually founded a chapel in October
1491, so Torrotti is wrong in his date, and Caimi may have come in 1490,
and perhaps in August, before the _passeri_ were gone. There can be
little doubt in fact that he came, or at any rate chose his site, before
1486.
Whatever the bird may have been, Caimi now communicated his design to the
Consiglio della Vicinanza at Varallo, through Milano de’ Scarrognini, who
was a member of the body, and who also gave support in money;
negotiations were not finally concluded until the 14th of April 1493, on
which day, as we have already seen, the site of the monastery of S. Maria
della Grazie was conveyed to the Padri dell’ Osservanza with the
concession of a right to build their New Jerusalem on the adjoining
mountain—which they had already begun to do for some time past.
Divine assistance was manifest in the ease with which everything had been
arranged, but Torrotti goes on to assure us that it was presently made
still clearer. The design had been to begin with a reproduction of the
Holy Sepulchre, and hardly had the workmen begun to dig for the
foundation of this first work, when a stone was found, not only
resembling the one which covered the actual Holy Sepulchre itself, but an
absolute facsimile of it in all respects—as like it, in fact, or even
more so, than Varallo was to Jerusalem. The testimony to this was so
notorious, and the fact was so soon and widely known, that pilgrims
flocked in crowds and brought gifts enough to bring the first abode of
the Fathers with the chapel beside it to a speedy and successful
completion. Everything having been now started auspiciously, and the
Blessed Bernardino having been allowed to look, as it were, into the
promised land, God took him to Himself on the 5th day of the Ides of
February 1496, or—as I have above said that the inscription on Caimi’s
tomb declares—in 1499.
The churches, both the one below the mountain in which Gaudenzio’s great
series of frescoes may be still seen, and the one on the top, which stood
on the site now occupied by the large house that stands to the right of
the present church, and is called the Casino, were consecrated between
the 5th and 7th days of September 1501, and by this time several of the
chapels with figures in them had been taken in hand, and were well
advanced if not completed.
Public-domain text, read in full here on John Shaqi.
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