“II VECCHIETTO,” FROM THE DESCENT FROM THE CROSS _Frontispiece_ (CHAPEL NO. 39) PLATE I. PLAN OF THE SACRO MONTE IN 1671 68 II. THE OLD ADAM AND EVE 121 III. TABACHETTI’S ADAM AND EVE 122 IV. FIRST VISION OF ST. JOSEPH 130 V. THE MASSACRE OF THE INNOCENTS 144 VI. THE TEMPTATION IN THE WILDERNESS 154 VII. CAIAPHAS 170 VIII. HEROD 176 IX. TWO LAUGHING BOYS 177 X. MAN IN BACKGROUND OF THE FLAGELLATION 182 CHAPEL XI. STEFANO SCOTTO, AND MR. S. BUTLER 189 XII. TABACHETTI’S JOURNEY TO CALVARY 195 GENERAL VIEW TO THE RIGHT. XIII. TABACHETTI’S JOURNEY TO CALVARY 196 ST. JOHN AND THE MADONNA WITH THE OTHER MARIES. XIV. TABACHETTI’S JOURNEY TO CALVARY 198 STA. VERONICA AND MAN WITH GOITRE. XV. TABACHETTI’S JOURNEY TO CALVARY 200 THE TWO THIEVES AND THEIR DRIVER. XVI. GAUDENZIO FERRARI’S CRUCIFIXION 203 GENERAL VIEW LOOKING TOWARDS THE BAD THIEF. XVII. GAUDENZIO FERRARI’S CRUCIFIXION 204 GENERAL VIEW LOOKING TOWARDS THE GOOD THIEF. XVIII. GAUDENZIO FERRARI’S PORTRAITS OF 206 STEFANO SCOTTO AND LEONARDO DA VINCI XIX. BERNARDINO DE CONTI’S DRAWING OF 207 STEFANO SCOTTO, AND PROFILE OF LEONARDO DA VINCI BY HIMSELF (REVERSED) XX. GAUDENZIO FERRARI’S CRUCIFIXION 210 THE BAD THIEF. ADDITIONS AND CORRECTIONS. UNABLE to go to Dinant before I published “Ex Voto,” I have since been there, and have found out a good deal about Tabachetti’s family. His real name was de Wespin, and he tame of a family who had been Copper-beaters, and hence sculptors—for the Flemish copper-beaters made their own models—for many generations. The family seems to have been the most numerous and important in Dinant.