Ex Voto: An Account of the Sacro Monte or New Jerusalem at Varallo-Sesia: With Some Notice of Tabachetti's Remaining Work at the Sanctuary of CreaButler, Samuel
Religion
Ex Voto: An Account of the Sacro Monte or New Jerusalem at Varallo-Sesia: With Some Notice of Tabachetti's Remaining Work at the Sanctuary of Crea
Butler, Samuel
Art -- Italy -- Varallo-Sesia; Sacro Monte di Varallo (Sanctuary); Tabaguet, Jean Baptiste, 1568 -1615
THE ascent to the Sacro Monte begins immediately after the church of Sta.
Maria delle Grazie has been passed, and is made by a large broad road
paved with rounded stones, and beautifully shaded by the chestnuts that
grow on the steep side of the mountain. The old road up the mountain was
below the present, and remains of it may yet be seen. Ere long a steeper
narrower road branches off to the right hand, which makes rather a
shorter cut, and is commonly called the “_Strada della Madonna_.” From
this name it has become generally believed that the Madonna once actually
came to Varallo to see the Sacro Monte, and took this shorter road.
There is no genuine tradition, however, to this effect, and the belief
may be traced to misapprehension of a passage in Fassola and Torrotti,
who say that the main road represents the path taken by Christ himself on
his journey to Calvary, while the other symbolises the short cut taken by
the Virgin when she went to rejoin him after his resurrection. When he
was _Assistente_, which I gather to have been much what the Director of
the Sacro Monte is now, Torrotti had some poetry put up to say this.
At the point where the two roads again meet there is a large wooden
cross, from which the faithful may help themselves to a chip. That they
do get chips is evident by the state of the cross, but the wood is hard,
and none but the very faithful will get so much but that plenty will be
left for those who may come after them. I saw a stout elderly lady
trying to get a chip last summer; she was baffled, puzzled, frowned a
good deal, and was perspiring freely. She tried here, and she tried
there, but could get no chip; and presently began to cry. Jones and I
had been watching her perplexity, as we came up the _Strada della
Madonna_, and having a stouter knife than hers offered to help her. She
was most grateful, when, not without difficulty, Jones succeeded in
whittling for her a piece about an inch long, and as thick as the wood of
a match box. “Per Bacco,” she exclaimed, still agitated, and not without
asperity, “I never saw such a cross in my life.” The old cross,
considered to be now past further whittling, was lying by the roadside
ready to be taken away. I had wanted to get the lady a chip from this,
thinking it looked as if it would lend itself more easily to the design,
but she said it would not do. They have a new cross every year, and they
always select a hard knotty uncompromising piece of wood for the purpose.
The old is then taken away and burnt for firewood.
Public-domain text, read in full here on John Shaqi.
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