Of this cross Fassola says it was here (“_e quì fù dove_”) the Virgin met her son, and that for this reason a small chapel was placed rather higher up, which represents the place where she took a little rest, and was hence called the Capella del Riposo. It was decorated with frescoes by Gaudenzio, which have long since disappeared; these were early works, and among the first undertaken by him on the Sacro Monte; the chapel remains, but may, and probably will, be passed without notice. A little higher still, there is another very small and unimportant chapel containing a decayed St. Jerome by Giovanni D’Enrico, and above this, facing the visitor at the last turn of the road, is the chapel erected in memory of Cesare Maio, or Maggi, a Neapolitan, Marquis of Moncrivelli, and one of Charles the Fifth’s generals. He died in 1568. Many years before his death he had commanded an armed force against the Valsesians, but when his horse, on approaching Varallo, caught sight of the Sacro Monte, it genuflected three times and pawed a great cross on the road with its feet. This had such an effect upon the rider that he had thenceforward to become a munificent benefactor of the Sacro Monte, and expressly desired to be buried there. I do not know where the horse was buried. His chapel contains nothing of importance, nor yet does the small oratory with a crucifix in memory of a benefactor, one Giovanni Pschel Alemanno; this is at the top of the ascent and close to the smaller entrance to the Sacro Monte. At this smaller entrance the visitor will be inclined to enter, but he should not do so if he wishes to take the chapels in the order in which they are numbered. He should continue the broad road until he reaches the excellent inn kept by Signor Topini, and the shops where “_corone_” and pilgrims’ beads are sold. The inn and shops are mentioned by Fassola and by Torrotti. Fassola in 1671 says of the inn that it will afford accommodation for people of all ranks, and that though any one with other curiosity may stay in the town, those who would enjoy their devotion quietly and diffusively can do so more at their ease here. Of the shops he says that they sell “_corone_, _Storie della Fabrica_,” “and other like instruments of devotion” (“_ed altri instromenti simili di divozione_” p. 80). Torrotti says they sell his book there, with images, and various devout curiosities (_e varie cose curiose di divozione_, p. 66). The shutters are strong and probably the original ones.