I do not think there can be much doubt that the Vecchietto is also a portrait of Tabachetti done some thirty years later than 1610, nor yet do I doubt, now I know that he returned to Varallo in 1610, that the figures of Herod and of Caiaphas are by him. I believe he also at this time paid a short visit to Orta, and did three or four figures in the left hand part of the foreground of the Canonisation of St. Francis chapel. At Montrigone, a mile or so below Borgo-Sesia station, I believe him to have done at least two or three figures, which are very much in his manner, and not at all like either Giacomo Ferro or Giovanni D’Enrico, to whom they are usually assigned. These figures are some twenty-five years later than 1610, and tend to show that Tabachetti, as an old man of over seventy, paid a third visit to the Val-Sesia. The substance of the foregoing paragraphs is published at greater length, and with illustrations, in the number of the _Universal Review_ for November 1888, and to which I must refer my readers. I have, however, here given the pith of all that I have yet been able to find out about Tabachetti since “Ex Voto” was published. I should like to add the following in regard to other chapels. [Picture: Monogram] Signor Arienta has found a 1523 scrawled on the frescoes of the Crucifixion chapel. I do not think this shows necessarily that the work was more than begun at that date. He has also found a monogram, which we believe to be Gaudenzio Ferrari’s, on the central shield with a lion on it, given in the illustration facing p. 210. On further consideration, I feel more and more inclined to think that the frescoes in this chapel have been a good deal retouched. I hardly question that the Second Vision of St. Joseph chapel is by Tabachetti, as also the Woman of Samaria. The Christ in this last chapel is a restoration. In a woodcut of 1640 the position of the figures is reversed, but nothing more than the positions. Lastly, the Virgin’s mother does not have eggs east of Milan. It is a Valsesian custom to give eggs beaten up with wine and sugar to women immediately on their confinement, and I am told that the eggs do no harm though not according to the rules. I am told that Valsesian influence must always be suspected when the Virgin’s mother is having eggs. _November_ 30, 1888. * * * * * _Note_.—A copy of this postscript can be easily inserted into a bound copy, and will be forwarded by Messrs. TRÜBNER & CO. on receipt of stamped and addressed envelope. CHAPTER I. _INTRODUCTION_.