Fassola says that this chapel was erected at the expense of Pomponio Bosso, a noble Milanese, between the years 1560 and 1580. It is mentioned as finished in the 1586 edition of Caccia, and was probably completed before Tabachetti came. Bordiga only says that it was finished in 1582. The statues are of little or no merit, nor yet the frescoes. I observe that in Caccia the “tempio” is praised but not apparently the work that it contained. The terra-cotta figures are ascribed by Bordiga to Ravello, and the frescoes to Testa, whose brother, Lorenzo Testa, was Fabbriciere at the time the chapel was erected. There is one rather nice little man in the left-hand corner, but there is nothing else. CHAPEL NO. 19. ENTRY INTO JERUSALEM. The figures in this chapel are ascribed to Giovanni D’Enrico by both Fassola and Torrotti, an ascription very properly set aside by Bordiga, without assigned reason, but probably because 1590 is considerably too early for Giovanni D’Enrico, and there is a document dated May 23, 1590, showing that the fresco background was then contracted for. The sculptured figures are mentioned as finished in the 1586 edition of Caccia, so that D’Enrico could not have done them. They are better than those in the preceding chapels, but they do not arouse enthusiasm, and have suffered so much from decay, and from repainting, that it is hardly fair to form any opinion about them. They probably looked much better when new. The landscape part of the background is by one of the brothers Rovere, named, as I have said, Fiamenghini, and he has introduced a house with a stepped gable like those at Antwerp. Some of the figures in the background appear to be by the painter Testa, who is named in the document above referred to. CHAPEL NO. 20. THE LAST SUPPER.