“For a nation is come up upon my land, strong, and without number,
whose teeth are the teeth of a lion, and he hath the cheek-teeth of a
great lion.
“He hath laid my vine waste, and barked my fig-tree; he hath made it
clean bare, and cast it away; the branches thereof are made white….
“Be ye ashamed, O ye husbandmen! howl, O ye vine-dressers!…
“The vine is dried up, and the fig-tree languisheth; the
pomegranate-tree, the palm-tree also, and the apple-tree, even all the
trees of the field, are withered: because joy is withered away from the
sons of men.”
NIGHT AND MOONLIGHT.
Chancing to take a memorable walk by moonlight some years ago, I
resolved to take more such walks, and make acquaintance with another
side of nature: I have done so.
According to Pliny, there is a stone in Arabia called Selenites,
“wherein is a white, which increases and decreases with the moon.” My
journal for the last year or two, has been _selenitic_ in this sense.
Is not the midnight like Central Africa to most of us? Are we not
tempted to explore it,—to penetrate to the shores of its lake Tchad,
and discover the source of its Nile, perchance the Mountains of the
Moon? Who knows what fertility and beauty, moral and natural, are there
to be found? In the Mountains of the Moon, in the Central Africa of the
night, there is where all Niles have their hidden heads. The
expeditions up the Nile as yet extend but to the Cataracts, or
perchance to the mouth of the White Nile; but it is the Black Nile that
concerns us.
I shall be a benefactor if I conquer some realms from the night, if I
report to the gazettes anything transpiring about us at that season
worthy of their attention,—if I can show men that there is some beauty
awake while they are asleep,—if I add to the domains of poetry.
Night is certainly more novel and less profane than day. I soon
discovered that I was acquainted only with its complexion, and as for
the moon, I had seen her only as it were through a crevice in a
shutter, occasionally. Why not walk a little way in her light?
Suppose you attend to the suggestions which the moon makes for one
month, commonly in vain, will it not be very different from anything in
literature or religion? But why not study this Sanscrit? What if one
moon has come and gone with its world of poetry, its weird teachings,
its oracular suggestions,—so divine a creature freighted with hints for
me, and I have not used her? One moon gone by unnoticed?
Public-domain text, read in full here on John Shaqi.
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