Excursions to Cairo, Jerusalem, Damascus, and Balbec From the United States Ship Delaware, During Her Recent Cruise: With an Attempt to Discriminate Between Truth and Error in Regard to the Sacred Places of the Holy CityJones, George
History
Excursions to Cairo, Jerusalem, Damascus, and Balbec From the United States Ship Delaware, During Her Recent Cruise: With an Attempt to Discriminate Between Truth and Error in Regard to the Sacred Places of the Holy City
Jones, George
Middle East -- Description and travel
The edifice into which we were now introduced formed a hollow square;
the open space within being occupied by a court, about fifty feet by
forty, all paved with variegated marbles. In the centre of this was
a square fountain, fourteen or fifteen feet on each side, and rising
about two feet above the pavement. It was filled with gold and silver
fishes, and was lined all around with vases or pots with flowers. At
the further end of the court, the pavement rose, and here was a recess
occupying nearly the whole width of the court, and about ten feet
in depth. It was fronted by a lofty pointed arch, richly ornamented
with arabesques cut in stone, or painted in a great variety of gay
colors. The back and sides of the recess were enriched in a similar
manner, every part of them being covered either with arabesques or with
parallel stripes of gay colors, either in horizontal, or in zigzag or
waving lines. I must except one or two compartments or raised pannels
on each side, with rich borders to them; the pannels were occupied by
stanzas of Arabic poetry in large letters, either cut into relief,
or done with paint. At the back of the recess was a broad luxurious
ottoman.
This lofty and magnificent recess, whose effect, apparently unstudied,
is yet very striking, meets us at once on emerging from the dark
passage, and gives us our first impression of the building; but as we
advance towards it a new candidate for our admiration is presented on
our left. Just before reaching the angle of the court which adjoins the
recess, we come to a door-way, which is ornamented, but has no very
remarkable pretensions; but as we approach, the fall of water arrests
our attention and invites us to enter; and on doing so our eagerness to
take possession of the lofty cool recess is suddenly checked. This room
is not very large, its dimensions being altogether about fifteen feet
by twenty-five; and the light is permitted to enter only in sufficient
quantity to make objects distinct. A short distance within the door
is a circular marble fountain, from the centre of which a few streaks
of water ascend up into the air, and breaking at the top, fall in a
constant shower of gems, creating a delightful coolness, and a noise
just sufficient to lull one to repose. The floor here is of tesselated
marbles; on each side are marble slabs attached to the wall, supporting
China vases and other _bijouderie_ of a similar substance. In the
window is a salver containing sherbet and confectionary, where any
person may help himself whenever his inclinations prompt, the supply
being constant but without parade. About ten feet from the door the
floor suddenly ascends about eighteen inches, and now it is covered
with the brilliant and soft carpet of Turkey or Persia; while quite
around the recess thus formed runs a broad ottoman, yet softer and
more luxurious than that of the open court. The walls of this chamber
are quite covered with arabesques, in stucco, or painted in various
Public-domain text, read in full here on John Shaqi.
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