"Porter! Porter! Do you know the name of the man who just hurried in?"
"No'm," said the porter. "I reckon he's so broken up he ain't got any
name left."
"It couldn't be," Mrs. Jimmie mused.
"Things can be sometimes," said the porter.
"You may make up my berth now," said Mrs. Wellington, forgetting that
Anne Gattle was still there. Mrs. Wellington hastened to apologize,
and begged her to stay, but the spinster wanted to be far away from
the disturbing atmosphere of divorce. She was dreaming already with
her eyes open, and she sank into number six in a lotus-eater's
reverie.
Mrs. Wellington gathered certain things together and took up her
handbag, to return to the Women's Room, just as Mrs. Whitcomb came
forth from the curtains of her own berth, where she had made certain
preliminaries to disrobing, and put on a light, decidedly negligée
negligée.
The two women collided in the aisle, whirled on one another, as women
do when they jostle, recognized each other with wild stares of
amazement, set their teeth, and made a simultaneous dash along the
corridor, shoulder wrestling with shoulder. They reached the door
marked "Women" at the same instant, and as neither would have dreamed
of offering the other a courtesy, they squeezed through together in a
Kilkenny jumble.
CHAPTER XIV
THE DORMITORY ON WHEELS
Of all the shocking institutions in human history, the sleeping car is
the most shocking--or would be, if we were not so used to it. There
can be no doubt that we are the most moral nation on earth, for we
admit it ourselves. Perhaps we prove it, too, by the Arcadian
prosperity of these two-story hotels on wheels, where miscellaneous
travelers dwell in complete promiscuity, and sleep almost side by
side, in apartments, or compartments, separated only by a plank and a
curtain, and guarded only by one sleepy negro.
After the fashion of the famous country whose inhabitants earned a
meagre sustenance by taking in each other's washing, so in Sleeping
Carpathia we attain a meagre respectability by everybody's chaperoning
everybody else.
So topsy-turvied, indeed, are our notions, once we are aboard a train,
that the staterooms alone are regarded with suspicion; we question the
motives of those who must have a room to themselves!--a room with a
real door! that locks!!
And, now, on this sleeping car, prettily named "Snowdrop," scenes were
enacting that would have thrown our great-grandmothers into
fits--scenes which, if we found them in France, or Japan, we should
view with alarm as almost unmentionable evidence of the moral
obliquity of those nations.
Public-domain text, read in full here on John Shaqi.
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