Another portrait here by Lely is of the Princess Henrietta, concerning which the old records state that: "In 1671 the King (Charles II), in order to keep his promise made the last year when he visited this city in person, and as a signal testimony of his love towards the same, was pleased to send hither the effigy or portraiture, at length and richly framed of his dear sister, the Duchess of Orleans (lately deceased), a princess born within this city, and for beauty was esteemed to be one of the fairest in Christendom; which said picture being placed in a fair case of timber, richly adorned with gold, is erected in the open guildhall of the said city, there to remain as a perpetual monument of his majesty's high favour towards this his truly ancient, loyal, and honourable city of Exeter". The upper room is known as the "Mayor's Parlour", where are many more portraits, and the city sword and cap of maintenance. The scabbard of the sword, which is the one presented by Edward IV, is still draped in crape, as it used to be for the processions on "King Charles Martyr's" Day (30 Jan.). The cap of maintenance presented to the city, together with his sword, by Henry VII, was sent up to London to be repaired, the cost for "sarcanet, damask, and pin lace" amounting to four guineas. The original cap still remains within its covering, and it appears to consist of two pieces of black felt sewn together. During the fifteenth century the Chapel of St. George and St. John was built over the Guildhall, with an apartment above for the priest who served it, the chapel being probably connected with a religious guild.