_The drawingroom of Richard Rowan’s house at Merrion. The folding doors
at the right are closed and also the double doors leading to the
garden. The green plush curtains are drawn across the window on the
left. The room is half dark. It is early in the morning of the next
day. Bertha sits beside the window looking out between the curtains.
She wears a loose saffron dressing gown. Her hair is combed loosely
over the ears and knotted at the neck. Her hands are folded in her lap.
Her face is pale and drawn._
[_Brigid comes in through the folding doors on the right with a
featherbroom and duster. She is about to cross but, seeing Bertha, she
halts suddenly and blesses herself instinctively._]
BRIGID.
Merciful hour, ma’am. You put the heart across me. Why did you get up
so early?
BERTHA.
What time is it?
BRIGID.
After seven, ma’am. Are you long up?
BERTHA.
Some time.
BRIGID.
[_Approaching her._] Had you a bad dream that woke you?
BERTHA.
I didn’t sleep all night. So I got up to see the sun rise.
BRIGID.
[_Opens the double doors._] It’s a lovely morning now after all the
rain we had. [_Turns round._] But you must be dead tired, ma’am. What
will the master say at your doing a thing like that? [_She goes to the
door of the study and knocks._] Master Richard!
BERTHA.
[_Looks round._] He is not there. He went out an hour ago.
BRIGID.
Out there, on the strand, is it?
BERTHA.
Yes.
BRIGID.
[_Comes towards her and leans over the back of a chair._] Are you
fretting yourself, ma’am, about anything?
BERTHA.
No, Brigid.
BRIGID.
Don’t be. He was always like that, meandering off by himself somewhere.
He is a curious bird, Master Richard, and always was. Sure there isn’t
a turn in him I don’t know. Are you fretting now maybe because he does
be in there [_pointing to the study_] half the night at his books?
Leave him alone. He’ll come back to you again. Sure he thinks the sun
shines out of your face, ma’am.
BERTHA.
[_Sadly._] That time is gone.
BRIGID.
[_Confidentially._] And good cause I have to remember it—that time when
he was paying his addresses to you. [_She sits down beside Bertha. In a
lower voice._] Do you know that he used to tell me all about you and
nothing to his mother, God rest her soul? Your letters and all.
BERTHA.
What? My letters to him?
BRIGID.
[_Delighted._] Yes. I can see him sitting on the kitchen table,
swinging his legs and spinning out of him yards of talk about you and
him and Ireland and all kinds of devilment—to an ignorant old woman
like me. But that was always his way. But if he had to meet a grand
highup person he’d be twice as grand himself. [_Suddenly looks at
Bertha._] Is it crying you are now? Ah, sure, don’t cry. There’s good
times coming still.
BERTHA.
No, Brigid, that time comes only once in a lifetime. The rest of life
is good for nothing except to remember that time.
BRIGID.
[_Is silent for a moment: then says kindly._] Would you like a cup of
tea, ma’am? That would make you all right.
Public-domain text, read in full here on John Shaqi.
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