"Aw! You don't need to be that scared!" said the girl, coming up.
"They've gone back. I threw 'em off the scent. Come on! We'll go to my
room and see what to do. Don't talk! Somebody might recognize your
voice. Here, we'll cut through this alley and get to the next block.
It's further away and not so many folks passing."
Silently they hurried through the dark alley and down the next street,
Betty holding the long cloak close that no gleam of her white satin
might shine out and give away her secret, her heart beating like a trip
hammer in her breast, her eyes filled with unshed tears, the last words
of her stepmother ringing in her ears. Was she making her father
ashamed? Her dear dead father! Was she doing the wrong thing? So long
that thought had held her! But she could not go back now. She had taken
an irrevocable step.
Her guide turned another corner abruptly and led her up some stone steps
to the door of a tall, dingy brick house, to which she applied a
latchkey.
The air of the gloomy hall was not pleasant. The red wall-paper was
soiled and torn, and weird shadows flickered from the small gas taper
that blinked from the ceiling. There were suggestions of old dinners,
stale fried potatoes and pork in all the corners, and one moving toward
the stairs seemed to stir them up and set them going again like old
memories.
The stairs were bare and worn by many feet, and not particularly clean.
Betty paused in dismay then hurried on after her hostess, who was
mounting up, one, two, three flights, to a tiny hall bedroom at the
back. A fleeting fear that perhaps the place was not respectable shot
through her heart, but her other troubles were so great that it found no
lodgment. Panting and trembling she arrived at the top and stood looking
about her in the dark, while the other girl found a match and lighted
another wicked little flickering gas-burner.
Then her hostess drew her into the room and closed and locked the door.
As a further precaution she climbed upon a chair and pushed the transom
shut.
"Now," she said with a sigh of evident relief, "we're safe! No one can
hear you here, and you can say what you please. But first we'll get this
coat and hat off and see what's the damage."
As gently as if she were undressing a baby the girl removed the hat and
coat from her guest, and shook out the wonderful shining folds of satin.
It would have been a study for an artist to have watched her face as she
worked, smoothing out wrinkles, shaking the lace down and uncrushing it,
straightening a bruised orange-blossom, and putting everything in place.
It was as if she herself were an artist restoring a great masterpiece,
so silently and absorbedly she worked, her eyes full of a glad wonder
that it had come to her once to be near and handle anything so rare and
costly. The very touch of the lace and satin evidently thrilled her; the
breath of the exotic blossoms was nectar as she drew it in.
Public-domain text, read in full here on John Shaqi.
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