I could here subjoyn, _Pyrophilus_, some memorable Relations that I have met with in the Account given us by the experienc'd _Epiphanius Ferdinandus_, of the Symptomes he observ'd to be incident to those that are bitten with the Tarantula, by which (Relations) I could probably shew, that without any change in the Object, a change in the Instruments of Vision may for a great while make some Colours appear Charming, and make others Provoking, and both to a high degree, though neither of them produc'd any such Effects before. These things, I say, I could here subjoyn in confirmation of what I have been saying, to shew, that the Disposition of the Organ is of great Importance in the Dijudications we make of Colours, were it not that these strange Stories belonging more properly to another Discourse, I had rather, (contenting my self to have given you an Intimation of them here) that you should meet with them fully deliver'd there. * * * * * CHAP. III. But, _Pyrophilus_, I would not by all that I have hitherto discours'd, be thought to have forgotten the Distinction (of Colour) that I mentioned to you about the beginning of the third Section of the former Chapter; and therefore, after all I have said of Colour, as it is modifi'd Light, and immediately affects the Sensory, I shall now re-mind you, that I did not deny, but that Colour might in some sense be consider'd as a Quality residing in the body that is said to be Colour'd, and indeed the greatest part of the following Experiments referr to Colour principally under that Notion, for there is in the bodyes we call Colour'd, and chiefly in their Superficial parts, a certain disposition, whereby they do so trouble the Light that comes from them to our Eye, as that it there makes that distinct Impression, upon whose Account we say, that the Seen body is either White or Black, or Red or Yellow, or of any one determinate Colour. But because we shall (God permiting) by the Experiments that are to follow some Pages hence, more fully and particularly shew, that the Changes, and consequently in divers places the Production and the appearance of Colours depends upon the continuing or alter'd Texture of the Object, we shall in this place intimate (and that too but as by the way) two or three things about this Matter.