Experiments and Observations on Electricity Made at Philadelphia in AmericaFranklin, Benjamin
History
Experiments and Observations on Electricity Made at Philadelphia in America
Franklin, Benjamin
Electricity -- Early works to 1850
20. The magical picture is made thus. Having a large metzotinto with a
frame and glass, suppose of the KING, (God preserve him) take out the
print, and cut a pannel out of it, near two inches distant from the frame
all round. If the cut is through the picture 'tis not the worse. With thin
paste or gum-water, fix the border that is cut off on the inside of the
glass, pressing it smooth and close; then fill up the vacancy by gilding
the glass well with leaf gold or brass. Gild likewise the inner edge of the
back of the frame all round except the top part, and form a communication
between that gilding and the gilding behind the glass: then put in the
board, and that side is finished. Turn up the glass, and gild the fore side
exactly over the back gilding, and when it is dry, cover it by pasting on
the pannel of the picture that had been cut out, observing to bring the
corresponding parts of the border and picture together, by which the
picture will appear of a piece as at first, only part is behind the glass,
and part before.--Hold the picture horizontally by the top, and place a
little moveable gilt crown on the king's-head. If now the picture be
moderately electrified, and another person take hold of the frame with one
hand, so that his fingers touch its inside gilding, and with the other hand
endeavour to take off the crown, he will receive a terrible blow, and fail
in the attempt. If the picture were highly charged, the consequence might
perhaps be as fatal as that of high-treason; for when the spark is taken
through a quire of paper laid on the picture, by means of a wire
communication, it makes a fair hole through every sheet, that is, through
48 leaves, (though a quire of paper is thought good armour against the push
of a sword or even against a pistol bullet) and the crack is exceeding
loud. The operator, who holds the picture by the upper-end, where the
inside of the frame is not gilt, to prevent its falling, feels nothing of
the shock, and may touch the face of the picture without danger, which he
pretends is a test of his loyalty.--If a ring of persons take the shock
among them, the experiment is called, _The Conspirators_.
Public-domain text, read in full here on John Shaqi.
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