When two wires, attached to the terminals of the coil, are set at the proper distance, the streams between them may be so intense as to produce a continuous luminous sheet. To show this phenomenon I have here two circles, C and c (Fig. 10), of rather stout wire, one being about 80 centimetres and the other 30 centimetres in diameter. To each of the terminals of the coil I attach one of the circles. The supporting wires are so bent that the circles may be placed in the same plane, coinciding as nearly as possible. When the light in the room is turned off and the coil set to work, you see the whole space between the wires uniformly filled with streams, forming a luminous disc, which could be seen from a considerable distance, such is the intensity of the streams. The outer circle could have been much larger than the present one; in fact, with this coil I have used much larger circles, and I have been able to produce a strongly luminous sheet, covering an area of more than one square metre, which is a remarkable effect with this very small coil. To avoid uncertainty, the circle has been taken smaller, and the area is now about 0.43 square metre. The frequency of the vibration, and the quickness of succession of the sparks between the knobs, affect to a marked degree the appearance of the streams. When the frequency is very low, the air gives way in more or less the same manner, as by a steady difference of potential, and the streams consist of distinct threads, generally mingled with thin sparks, which probably correspond to the successive discharges occurring between the knobs. But when the frequency is extremely high, and the arc of the discharge produces a very _loud_ but _smooth_ sound--showing both that oscillation takes place and that the sparks succeed each other with great rapidity--then the luminous streams formed are perfectly uniform. To reach this result very small coils and jars of small capacity should be used. I take two tubes of thick Bohemian glass, about 5 centimetres in diameter and 20 centimetres long. In each of the tubes I slip a primary of very thick copper wire. On the top of each tube I wind a secondary of much thinner gutta-percha covered wire. The two secondaries I connect in series, the primaries preferably in multiple arc. The tubes are then placed in a large glass vessel, at a distance of 10 to 15 centimetres from each other, on insulating supports, and the vessel is filled with boiled out oil, the oil reaching about an inch above the tubes. The free ends of the secondary are lifted out of the oil and placed parallel to each other at a distance of about 10 centimetres. The ends which are scraped should be dipped in the oil. Two four-pint jars joined in series may be used to discharge through the primary. When the necessary adjustments in the length and distance of the wires above the oil and in the arc of discharge are made, a luminous sheet is produced between the wires which is perfectly smooth and textureless,