Exploits and adventures of a soldier ashore and afloatAdams, William Llewellyn
History
Exploits and adventures of a soldier ashore and afloat
Adams, William Llewellyn
Adams, William Llewellyn; Americans -- Foreign countries; United States. Army -- Military life
The Imperial Palace, the abode of the Mikado, is a magnificent edifice
surrounded by the Imperial Gardens, which cover a vast area of ground;
a short distance beyond, with no less ostentation, stands the palatial
residence of the Empress Dowager. My “rickshaw coolie” having taken me
into this Imperial Park, I was admiring the beauty thereof, when we
were approached by a sentry who admonished the coolie to proceed no
farther; when I urged him to continue, he informed me he was afraid of
being shot, whereupon we returned to the more peaceable surroundings
along the studios of the “geishas.”
The police register the arrival of all strangers, keeping a record of
their movements and admonishing them as to their behavior. The temples
are of great interest; in one I was shown the tomb of Buddha, whose
final interment, like the disposition of the bones of Columbus and
John Paul Jones, has been based on presumptive evidence.
Besides the diplomatic corps, there are a great many missionaries in
Tokio, while the army is everywhere in evidence.
July the 14th, the day set for the unveiling of Commodore Perry’s
monument at Uraga, dawned with a heavy fog hanging over the harbor.
Coincident with this event was the anniversary of the destruction of
the “Bastille,” which the flag-ship of the French fleet, the cruiser
_Friant_, had prepared to celebrate.
About 7.45 A.M. quarters sounded: the marines formed an alignment on
the starboard side of the quarter-deck, attired in full dress;
saluting gun crews fell to the forward six-pounders, and blue-jackets
formed an alignment on the port side. Everything ready, my annunciator
rang, and I reported to Admiral Rodgers, eight bells and under way. As
we steamed by the British, French, German, Italian, and Japanese
war-vessels, followed by the American fleet, the various bands played
“The Star-Spangled Banner,” the marines presenting arms, while the
American band played the Japanese national air, and in turn the
“Marseillaise,” the national air of the French republic. In less than
an hour we had entered the harbor of Kurahama, near Uraga, firing a
salute of twenty-one guns, our ships dressed in holiday attire from
bow to stern, with the Japanese ensign flying at the main. Our salute
was returned by the Japanese, and we anchored near the spot where
Commodore Perry’s ships anchored in 1854.
The Japanese fleet represented ancient, medieval, and modern warfare,
and included two of the most modern battleships afloat at that
time,――namely, the _Shikishima_ and _Hatsuse_, both of which figured
prominently in the bombardment of the Liaotung Peninsula and the
terrible slaughter of the Russians in the Straits of Korea.
The Yokohama Yacht Club was well represented in the harbor, and every
craft and packet, down to the odd-looking sampan, endeavored to appear
festive and holiday like.
Public-domain text, read in full here on John Shaqi.
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