They suggest a momentary consciousness of the swift passage of life, and naturally lead us to a glance backwards and forwards, both of which occupations ought to be very good for us. The dead flat upon which some of us live may be taken as an emblem of the low present in which most of us are content to pass our lives, affording nowhere a distant view, and never enabling us to see more than a street's length ahead of us. It is a good thing to get up upon some little elevation and take a wider view, backwards and forwards. And so now I venture to let the season preach to us, and to confine myself simply to suggesting for you one or two very plain and obvious thoughts which may help to make our retrospect wise and useful. And there are two main considerations which I wish to submit. The first is--what we ought to be chiefly occupied with as we look back; and secondly, what the issue of such a retrospect ought to be. I. With what we should be mainly occupied as we look back. Memory, like all other faculties, may either help us or hinder us. As is the man, so will be his remembrance. The tastes which rule his present will determine the things that he likes best to think about in the past. There are many ways of going wrong in our retrospects. Some of us, for instance, prefer to think with pleasure about things that ought never to have been done, and to give a wicked immortality to thoughts that ought never to have had a being. Some men's tastes and inclinations are so vitiated and corrupted that they find a joy in living their badnesses over again. Some of us, looking back on the days that are gone, select by instinctive preference for remembrance, the vanities and frivolities and trifles which were the main things in them whilst they lasted. Such a use of the great faculty of memory is like the folly of the Egyptians who embalmed cats and vermin. Do not let us be of those, who have in their memories nothing but rubbish, or something worse, who let down the drag-net into the depths of the past and bring it up full only of mud and foulnesses, and of ugly monsters that never ought to have been dragged into the daylight. Then there are some of us who abuse memory just as much by picking out, with perverse ingenuity, every black bit that lies in the distance behind us, all the disappointments, all the losses, all the pains, all the sorrows. Some men look back and say, with Jacob in one of his moods, 'Few and evil have been the days of the years of my life!' Yes! and the same man, when he was in a better spirit, said, and a great deal more truly, 'The God that fed me all my life long, the Angel which redeemed me from all evil.' Do not paint like Rembrandt, even if you do not paint like Turner. Do not dip your brush only in the blackness, even if you cannot always dip it in molten sunshine.