great God hath made known to the king what shall come to pass hereafter: and the dream is certain, and the interpretation thereof sure. 46. Then the king Nebuchadnezzar fell upon his face, and worshipped Daniel, and commanded that they should offer an oblation and sweet odours unto him. 47. The king answered unto Daniel, and said, Of a truth it is, that your God is a God of gods, and a Lord of kings, and a revealer of secrets, seeing thou couldest reveal this secret. 48. Then the king made Daniel a great man, and gave him many great gifts, and made him ruler over the whole province of Babylon, and chief of the governors over all the wise men of Babylon. 49. Then Daniel requested of the king, and he set Shadrach, Meshach, and Abed-nego, over the affairs of the province of Babylon: but Daniel sat in the gate of the king.'--DANIEL ii. 36-49. The colossal image, seen by Nebuchadnezzar in his dream, was a reproduction of those which met his waking eyes, and still remain for our wonder in our museums. The mingled materials are paralleled in ancient art. The substance of the dream is no less natural than its form. The one is suggested by familiar sights; the other, by pressing anxieties. What more likely than that, 'in the second year of his reign' (v. 1), waking thoughts of the future of his monarchy should trouble the warrior-king, scarcely yet firm on his throne, and should repeat themselves in nightly visions? God spoke through the dream, and He is not wont to answer questions before they are asked, nor to give revelations to men on points which they have not sought to solve. We may be sure that Nebuchadnezzar's dream met his need. The unreasonable demand that the 'Chaldeans' should show the dream as well as interpret it, fits the character of the king, as an imperious despot, intolerant of obstacles to his will, and holding human life very cheap. Daniel's knowledge of the dream and of its meaning is given to him in a vision by night, which is the method of divine illumination throughout the book, and may be regarded as a lower stage thereof than the communications to prophets of 'the word of the Lord.' The passage falls into two parts: the image and the stone. I. The Image. It was a human form of strangely mingled materials, of giant size no doubt, and of majestic aspect. Barbarous enough it would have looked beside the marble lovelinesses of Greece, but it was quite like the coarser art which sought for impressiveness through size and costliness. Other people than Babylonian sculptors think that bigness is greatness, and dearness preciousness.