A dry place, as well as a dangerous place--have not you found it so? I
believe that every soul of man has, if he will be honest with himself,
and that there is not one among us who would not, if he were to look
into the deepest facts and real governing experience of his life,
confess--I thirst: 'my soul thirsteth.' And oh, brethren, why not go on
with the quotation, and make that which is else a pain, a condition of
blessedness? Why not recognise the meaning of all this restless
disquiet, and say 'My soul thirsteth for God, for the living God'?
And then there is the other idea also underlying these words, yet
another phase of this sad life of ours--not only danger and drought,
but also weariness and languor. The desert stretches before us again,
where there is no shelter from the blast and no trickling stream amid
the yellowing sand; where the fierce ball above beats down cruelly, and
its hot rays are flung up cruelly into our faces, and the glare blinds
us, and the stifling heat wearies us, and work is a torture and motion
is misery, and we long for nothing so much as to be quiet and to hide
our heads in some shade.
I was reading recently one of our last books of travel in the
wilderness of the Exodus, in which the writer told how, after toiling
for hours under a scorching sun, over the hot, white, marly flat,
seeing nothing but a beetle or two on the way, and finding no shelter
anywhere from the pitiless beating of the sunshine, the weary
travellers came at last to a little Retem bush only a few feet high,
and flung themselves down and tried to hide, at least, their heads,
from those 'sunbeams like swords,' even beneath its ragged shade. And
my text tells of a great rock, with blue dimness in its shadow, with
haply a fern or two in the moist places of its crevices, where there is
rest, and a man can lie down and be cool, while all outside is burning
sun, and burning sand, and dancing mirage.
Oh! the weariness felt by us all, of plod, plod, plodding across the
sand! That fatal monotony into which every man's life stiffens, as far
as outward circumstances, outward joys and pleasures go! the depressing
influence of custom which takes the edge off all gladness and adds a
burden to every duty! the weariness of all that tugging up the hill, of
all that collar-work which we have to do! Who is there that has not his
mood, and that by no means the least worthy and man-like of his moods,
wherein he feels not, perhaps, that all is vanity, but--'how infinitely
wearisome it all is.'
Public-domain text, read in full here on John Shaqi.
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