Where, then, it may be asked, is there room for inspiration? If the genesis of the Gospel is so purely human, where is there room for the touch of the Divine? Why should the Gospel of St. Luke be canonized, incorporated into Holy Scripture, while the writings of others are thrown back into an Apocrypha, or still farther back into oblivion? The very questions will suggest an answer. That touch of the Divine which we call inspiration is not always an equal touch. Now it is a pressure from above that is overwhelming. The writer is carried out of himself, borne up into regions where Sight and Reason in their loftiest flights cannot come, as the prophet foretells events no human mind could foresee, much less describe. In the case of St. Luke there was no need for this abnormal pressure, or for these prophetic ecstasies. He was to record, for the most part, facts of recent occurrence, facts that had been witnessed, and could now be attested, by persons still living; and a fact is a fact, whether it is inspired or no. Inspiration may record a fact, while others are omitted, showing that this fact has a certain value above others; but if it is true, inspiration itself cannot make it more true. Nevertheless, there is the touch of the Divine even here. What is the meaning of this new departure? for it is a new and a wide departure. Why does not Thomas write a Gospel? or Philip, or Paul? Why should the Evangelist-mantle be carried outside the bounds of the sacred land, to be thrown around a Gentile, who cannot speak the sacred tongue except with a foreign Shibboleth? Ah, we see here the movings of the Holy Ghost! selecting the separate agents for the separate tasks, and dividing to "every man severally as He will." And not only does the Holy Spirit summon him to the work, He qualifies him for it, furnishing him with materials, and guiding his mind as to what shall be omitted and what retained. It is the same Spirit, who moved "holy men of old" to speak and write the things of God, who now touches the mind and heart of the four Evangelists, enabling them to give the four versions of the one Story, in different language, and with sundry differences of detail, but with no contradiction of thought, each being, in a sense, the complement of the rest, the four quarters making one rounded and perfect whole.