And so, after all, it was but fitting and perfectly natural that the Gospel that Heaven had been so long time preparing should break upon the world amid the harmonies of music. Instead of apologizing for its presence, as if it were but an interlude improvised for the occasion, we should have noted and mourned its absence, as when one mourns for "the sound of a voice that is still." When the ark of God was brought up from Baale Judah it was encircled with one wide wreath of music, a travelling orchestra of harps and psalteries, castanets and cymbals; and as now that Ark of all the promises is borne across from the Old to the New Dispensation, as the promise becomes a fulfilment, and the hope a realization, shall there not be the voice of song and gladness? Our sense of the fitness of things expects it; Heaven's law of the harmonies demands it; and had there not been this burst of praise and song, we should have listened for the very stones to cry out, rebuking the strange silence. But the voice was not silent. The singers were there, in their places; and they sang, not because they would, but because they must. A heavenly pressure, a sweet constraint, was upon them. If Wealth lays down her tribute of gold, with frankincense and myrrh, Poetry weaves for the Holy Child her beautiful songs, and crowns Him with her fadeless amaranth; and so around the earthly cradle of the Lord, as around His heavenly throne, we have angelic songs, and "the voices of harpers, harping with their harps."