In completed form, the document contains over one hundred and fifty
separate listings for race, and over six hundred separate emotional or
subject headings. In some places (like the Terra and Sirius listing
for Vilb, above), the text is marked NPE, and this has been taken to
mean No Precise Equivalent. For instance, such a marking appears after
the Denebian _shhr_ for both Terra and Mars, although Sirius has the
listing _grk_ and Fomalhaut _plarat_ in the desert.
Hrrshtk may be hailed, therefore, as the discoverer of the Doctrine
of Emotional Equivalency, later promulgated in a different form by
Space Patrol Psychiatrist Rodney Garman. Further, the document alluded
to above explains a phrase in Hrrshtk's noted letter to Dibble Young,
which has puzzled commentators since its first appearance.
Hrrshtk is here alluding to the composition of his Revolutionary Ode,
which all Terra knows as the most perfect expression of true love to be
found in music:
"It's a Revolutionary Ode to me, my friend--but not to you. As we say
here, one man's mood is another man's passion."
* * * * *
_SEPTEMBER 1_: On this date in the year 9909, Treth Schmaltar died
on his home planet of Wellington V. All the Galaxy knows his famous
Symphonic Storm Suite; less known, but equally interesting, is the
history and development of its solo instrument.
The natives of Wellington V feed on airborne plankton, which is carried
by the vibrations of sound or speech. This was a little-known fact for
many years, but did account for the joy with which the first explorers
on Wellington V were greeted. Their speech created waves that fed the
natives.
When eating, the natives emit a strange humming noise, due to the
action of the peculiar glottis. These facts drove the first settlers,
like Treth Schmaltar, to the invention of a new instrument.
This was a large drumlike construction with a small hole in its side
through which airborne plankton could enter. Inside the drum, a
Wellingtonian crouched. When the drum was beaten, the air vibrations
drove plankton into the native's mouth, and he ate and hummed.
(A mechanical device has since replaced the native. This is, of course,
due to the terrific expense of importing both natives and plankton to
other planets than Wellington V for concerts.)
Thus, a peculiarity of native life led not only to the Symphonic Storm
Suite, but to such lovely compositions as Schmaltar's Hum-Drum Sonata.
* * * * *
_SEPTEMBER 30_: The victimization of the swanlike inhabitants of
Harsh XII, perhaps the most pitiful musical scandal of the ages, was
begun by Ferd Pill, born on this date in 8181. Pill, who died penitent
in a neuterary of the Benedictine Order, is said to have conceived his
idea after perusing some early Terran legends about the swan.
Public-domain text, read in full here on John Shaqi.
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