Eye Spy: Afield with Nature Among Flowers and Animate ThingsGibson, W. Hamilton (William Hamilton)
History
Eye Spy: Afield with Nature Among Flowers and Animate Things
Gibson, W. Hamilton (William Hamilton)
Insects; Natural history; Natural history -- Outdoor books
And now we must lose no time if we would follow its history to its
complete cycle. If we put one of these faded sponges in a tight-closed
box, we shall in a few days learn the secret of its being. For this
singular mimic fruit which has sprung at the behest of the gall-fly,
like other fruits, has its seeds--seeds which are animated with
peculiar life, and which sprout in a way we would hardly expect.
Within a fortnight after gathering, perhaps, we find our box swarming
with tiny, black flies, while if we dissect the sponge we find its
long-beaked seeds entirely empty, and each with a clean round hole
gnawed through its shell, explaining this host of gall-flies, all
similar to the parent of a few weeks since, and all bent on the same
mischief when you shall let them loose at the window.
The beautiful sponge of the sweet-brier has been called into being by
exactly similar means, and its hard, woody centre is packed full of
cells, at first each with its tiny egg, and then with its plump larva,
followed by the chrysalis, and at length by the emergence of the
full-fledged _Cynips rosæ_.
This sponge-gall of the rose is commonly known as the Bedegnar, and,
like all other members of its tribe, as with the familiar oak-apple,
was long supposed to be a regular accessory fruit of its parent stalk.
Among early students were many superstitions connected with the
Bedegnar, the nature of which may readily be inferred from its other
common name of "Robin's Pin-cushion."
Green Pansies
The casual observer may perhaps have noticed that interesting law of
nature which governs the coloring of flowers, and which confines the
hues of a given flower, or perhaps a botanical group of flowers, to
two colors and the combination of these colors. The three primary
colors--red, yellow, and blue--are rarely to be seen in the blossoms
of the same botanical group. Thus we observe roses, hollyhocks,
chrysanthemums, and tulips in all shades of white, yellow, pink, red,
and crimson, even almost approaching black, and numberless
combinations of these colors, but never blue. The same is true with
dahlias, zinnias, lilies, gladioli, pinks, and portulacas.
On the other hand, flowers which are notably blue--as in the
bellworts, or "Canterbury-bells," and larkspur, which vary from
white, through all shades of blue, to purple, pink, and even
reds--never show any trace of yellow. This color limitation of
blossoms was noted by De Candolle early in the present century, who
classified flowers in two series as to their hues. The first, which
included the yellow, was called the _Xanthic_; the second, which
omitted the yellow, the _Cyanic_.
Public-domain text, read in full here on John Shaqi.
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