Fénelon, François de Salignac de La Mothe-, 1651-1715
An interesting episode occurring just at this time perhaps deserves
mention. Queen Christina of Sweden, the talented but eccentric daughter
of the great Gustavus Adolphus, in 1654 abdicated her throne in favor of
her cousin, quitted the land of her fathers, was solemnly admitted into
the Roman Catholic Church at Innspruck, and established her permanent
residence in Rome till her death in 1689. The pope, Alexander VII,
considered it the special distinction of his pontificate that he was
permitted to welcome so distinguished a convert; but she did not prove
in all things wholly satisfactory, not finding matters quite as she
expected—a frequent experience in such cases. To Gilbert Burnet, the
English Bishop of Salisbury, who paid her a visit, she said, “It was
certain that the Church was governed by the immediate care of God, for
none of the four popes that she had known since she came to Rome had
common sense.” She called them “the first and the last of men.”
The history of France during the period in which Fénelon flourished must
be given at somewhat greater length if we would properly comprehend the
part which he took on the stage of action. And especially must we attend
to the character of Louis XIV, with whom Fénelon was brought into such
exceeding close and fateful relations. Louis came to the throne in 1643,
but as he was then only five years old he did not assume personal charge
of the government. Cardinal Mazarin, who had succeeded the great
Richelieu at his death in 1642, was chief minister in the Council of
State which advised the Queen Mother and regent, Anne of Austria. On the
death of Mazarin in 1661, Louis took supreme direction of affairs, and
retained it until his death in 1715. It was a very long and, in some
respects, a very successful reign, the most illustrious in French
annals; a sort of Solomonic era, to be compared with the age of Pericles
in Greece, Augustus in Rome, and Elizabeth in England. It was brilliant
in many directions; an age of conquest and the extension of territory
abroad; an age of great personalities in literature and art at home.
Among the latter are the well-known names of Corneille, the tragic poet;
Moliere, the master of comedy; Racine, La Fontaine, La Rochefoucauld, La
Bruyere, Pascal, Malebranche, and Madame de Sévigné. Voltaire and
Rousseau were born during this reign, but mainly flourished later. Among
eminent painters were Poussin, Claude Lorrain, Lebrun, and Mignard. As
architects, Mansart and Perrault were famous; among sculptors, Piget;
among composers, Lulli. Celebrated in the pulpit were Bossuet,
Bourdaloue, Massillon, and Flechier; as Church historians, Natalis
Alexander, Fleury, and Tillemont. In the field the prestige of the
French armies was upheld by the genius of Turenne, Condé, Vauban,
Luxemburg, and Catinat. Under these marshals many victories were won in
an almost constant succession of wars with Spain, Holland, England, the
Empire, and other antagonists.
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