Fabiola; Or, The Church of the CatacombsWiseman, Nicholas Patrick
HistoryHistory
Fabiola; Or, The Church of the Catacombs
Wiseman, Nicholas Patrick
Christian fiction; Church history -- Primitive and early church, ca. 30-600 -- Fiction; Historical fiction
the different parts or ornamented the entrances. In one instance, indeed
in the chief basilica yet discovered in the cemetery of Callistus, there
is a chamber without any altar, communicating with the church by means
of a funnel-shaped opening, piercing the earthen wall, here some twelve
feet thick, and entering the chamber, which is at a lower level, at the
height of five or six feet, in a slanting direction; so that all that
was spoken in the church could be heard, yet nothing that was done there
could be seen, by those assembled in the chamber. This is very naturally
supposed to have been the place reserved for the class of public
penitents called _audientes_ or hearers, and for the catechumens, not
yet initiated by baptism.
[Illustration: PLAN OF SUBTERRANEAN CHURCH IN THE CEMETERY OF ST. AGNES.
A. Choir, or chancel, with episcopal chair (_a_) and benches for the
clergy (_b b_).
B. Division for the men, separated from the choir by two pillars,
supporting an arch.
C. Corridor of the catacomb, affording entrance to the church.
D. Division for the women, with a tomb in it.
Each portion is subdivided by projections in the wall.]
The basilica, in which the Christians were assembled, when Sebastian
sent his message, was like the one discovered in the cemetery of St.
Agnes. Each of the two divisions was double, that is, consisted of two
large chambers, slightly separated by half-columns, in what we may call
the women’s church, and by flat pilasters in the men’s, one of these
surfaces having in it a small niche for an image or lamp. But the most
remarkable feature of this basilica is a further prolongation of the
structure, so as to give it a chancel or presbytery. This is about the
size of half each other division, from which it is separated by two
columns against the wall, as well as by its lesser height, after the
manner of modern chancels. For while each portion of each division has
first a lofty-arched tomb in its wall, and four or five tiers of graves
above it, the elevation of the chancel is not much greater than that of
those _arcosolia_ or altar-tombs. At the end of the chancel, against the
middle of the wall, is a chair with back and arms cut out of the solid
stone, and from each side proceeds a stone bench, which thus occupies
the end and two sides of the chancel. As the table of the arched-tomb
behind the chair is higher than the back of the throne, and as this is
immovable, it is clear that the divine mysteries could not have been
celebrated upon it. A portable altar must, therefore, have been placed
before the throne, in an isolated position in the middle of the
sanctuary: and this, tradition tell us, was the wooden altar of St.
Peter.
[Illustration: A _Cathedra_ or Episcopal Chair in the Catacomb of Saint
Agnes.]
Public-domain text, read in full here on John Shaqi.
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