Fabiola; Or, The Church of the CatacombsWiseman, Nicholas Patrick
HistoryHistory
Fabiola; Or, The Church of the Catacombs
Wiseman, Nicholas Patrick
Christian fiction; Church history -- Primitive and early church, ca. 30-600 -- Fiction; Historical fiction
Sebastian was conducted into the neighboring court of the palace, which
separated the quarters of these African archers from his own dwelling.
It was planted with rows of trees, and consecrated to Adonis. He walked
cheerfully in the midst of his executioners, followed by the whole band,
who were alone allowed to be spectators, as they would have been of an
ordinary exhibition of good archery. The officer was stripped and bound
to a tree, while the chosen five took their stand opposite, cool and
collected. It was at best a desolate sort of death. Not a friend, not a
sympathizer near; not one fellow-Christian to bear his farewell to the
faithful, or to record for them his last accents, and the constancy of
his end. To stand in the middle of the crowded amphitheatre, with a
hundred thousand witnesses of Christian constancy, to see the
encouraging looks of many, and hear the whispered blessings of a few
loving acquaintances, had something cheering, and almost inspiring in
it; it lent at least the feeble aid of human emotions, to the more
powerful sustainment of grace. The very shout of an insulting multitude
put a strain upon natural courage, as the hunter’s cry only nerves the
stag at bay. But this dead and silent scene, at dawn of day, shut up in
the court of a house; this being, with most unfeeling indifference tied
up, like a truss of hay, or a stuffed figure, to be coolly aimed at,
according to the tyrant’s orders; this being alone in the midst of a
horde of swarthy savages, whose very language was strange, uncouth, and
unintelligible; but who were no doubt uttering their rude jokes, and
laughing, as men do before a match or a game, which they are going to
enjoy; all this had more the appearance of a piece of cruelty, about to
be acted in a gloomy forest by banditti, than open and glorious
confession of Christ’s name; it looked and felt more like assassination
than martyrdom.
But Sebastian cared not for all this. Angels looked over the wall upon
him; and the rising sun, which dazzled his eyes, but made him a clearer
mark for his bowmen, shone not more brightly on him, than did the
countenance of the only Witness he cared to have of suffering endured
for His sake.
Public-domain text, read in full here on John Shaqi.
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