Fables and Fabulists: Ancient and ModernNewbigging, Thomas
History
Fables and Fabulists: Ancient and Modern
Newbigging, Thomas
Didactic literature -- History and criticism; Fables -- History and criticism
'Application: The effect these two orators had on the perceptions of
their audience was exactly the reverse one to the other. That of the
elephant touched the guilty, like satire, with pain and reproach; even
the most innocent was humbled, as none were wholly free from vice, and
all felt themselves lowered even in their own opinion, and heard the
admonition as an irksome duty, but still with little inclination to
undergo the difficult task of amendment. But when the fox began, all
was joy; the innocent felt all the gratification which proceeds from
the consciousness of superiority, and the guilty to find their vices
and follies treated only as a jest; for we all have felt how much more
pleasure we enjoy laughing at a fool than in being scrutinized by the
sage. From this cause it is that farce of the most grotesque and absurd
kind is tolerated and received, and not without some degree of relish,
even by the good and the wise, as we all want comfort.'
In spite of the application--nay, rather to some extent by reason of
it, for the anti-climax is extraordinary in a fable--it may be doubted
whether our sympathies are not with the fox rather than with the
elephant. We feel that the latter, with all his wisdom and good advice,
is somewhat of a bore; whilst the fox, rake and wastrel though he be,
has that touch of nature that makes him kin.
Æsop's well-known fable of _The Fox and the Crow_ is also an example of
the success of the scoundrel, but mark the difference: here there is
the obvious reproof of the vain and silly bird, deceived by flattering
words, till, in attempting to sing, she drops into the mouth of the fox
the savoury morsel she held in her beak! Here our verdict is: 'Served
her right!' In Northcote's fable, clever though it is as a narration,
this climax is altogether wanting.
It has been suggested that there is a closer natural affinity than at
first sight appears between man and the lower animals, and that the
recognition of this contact at many points would suggest the idea of
conferring the power of speech upon the latter in the fable. In the
higher reason and its resultant effects they differ fundamentally; mere
animals are wanting discourse of reason, but the purely animal passions
of cunning, anger, hatred, and even revenge and love of kind, and the
nobler characteristics of faithfulness and gratitude prevail in the
dispositions of both. These similarities would strike observers in the
pastoral ages of the world with even greater force than in later times.
Public-domain text, read in full here on John Shaqi.
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