Fables and Fabulists: Ancient and ModernNewbigging, Thomas
History
Fables and Fabulists: Ancient and Modern
Newbigging, Thomas
Didactic literature -- History and criticism; Fables -- History and criticism
Further, none of Æsop's contemporaries, nor any writers that
immediately followed him, make mention of his alleged deformities. On
the contrary, the Athenians, about two hundred years after his death,
in order to perpetuate his memory and appearance, commissioned the
celebrated sculptor Lysippus to produce a statue of Æsop, and this they
erected in a prominent position in front of those of the seven sages,
'because,' says Phædrus,[24] 'their severe manner did not persuade,
while the jesting of Æsop pleased and instructed at the same time.' It
is improbable that the figure of a man monstrously deformed as Æsop
is said to have been would have proved acceptable to the severe taste
of the Greek mind. An epigram of Agathia, of which the following is a
translation,[25] celebrates the erection of this statue:
'TO LYSIPPUS.
'Sculptor of Sicyon! glory of thy art!
I laud thee that the image thou hast placed
Of good old Æsop in the foremost part,
More than the statues of the sages graced.
Grave thought and deep reflection may be found
In all the well-respected rolls of these;
In wisdom's saws and maxims they abound,
But still are wanting in the art to please:
Each tale the gentle Samian well has told,
Truth in fair fiction pleasantly imparts;
Above the rigid censor him I hold
Who teaches virtue while he wins our hearts.'
Philostratus, in an account of certain pictures in existence in the
time of the Antonines, describes one as representing Æsop with a
pleasing cast of countenance, in the midst of a circle of the various
animals, and the Geniuses of Fable adorning him with wreaths of flowers
and branches of the olive.
Dr. Bentley, in his 'Dissertation,' ridicules the account of Æsop's
deformity as given by Planudes in face of all the evidence to the
contrary. 'I wish,' says he, 'I could do that justice to the memory
of our Phrygian, to oblige the painters to change their pencil. For
'tis certain he was no deformed person; and 'tis probable he was very
handsome. For whether he was a Phrygian or, as others say, a Thracian,
he must have been sold into Samos by a trader in slaves; and 'tis well
known that that sort of people commonly bought up the most beautiful
they could light on, because they would yield the most profit.'
Public-domain text, read in full here on John Shaqi.
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