Having dressed herself, Natálya Nikoláevna adjusted her collar and cuffs, which, in spite of the journey, were still clean, combed herself, and seated herself opposite the table. Her beautiful black eyes gazed somewhere into the distance: she looked and rested herself. She seemed to be resting, not from the unpacking alone, nor from the road, nor from the oppressive years,--she seemed to be resting from her whole life, and the distance into which she was gazing, and in which she saw living and beloved faces, was that rest which she was wishing for. Whether it was an act of love, which she had done for her husband, or the love which she had experienced for her children when they were young, or whether it was a heavy loss, or a peculiarity of her character,--everyone who looked at that woman could not help seeing that nothing could be expected from her, that she had long ago given all of herself to life, and that nothing was left of her. All that there was left was something worthy of respect, something beautiful and sad, as a reminiscence, as the moonlight. She could not be imagined otherwise than surrounded by all the comforts of life. It was impossible for her ever to be hungry, or to eat eagerly, or to have on soiled clothes, or to stumble, or to forget to clear her nose. It was a physical impossibility. Why it was so, I do not know, but every motion of hers was dignity, grace, gentleness toward all those who could enjoy her sight. "Sie pflegen und weben Himmlische Rosen ins irdische Leben." She knew those verses and loved them, but was not guided by them. All her nature was an expression of that thought; all her life was this one unconscious weaving of invisible roses in the lives of those with whom she came in contact. She had followed her husband to Siberia only because she loved him; she had not thought what she could do for him, and instinctively had done everything. She had made his bed, had put away his things, had prepared his dinner and his tea, and, above all, had always been where he was, and no woman could have given more happiness to her husband. In the drawing-room the samovár was boiling on the round table. Natálya Nikoláevna sat near it. Sónya wrinkled her face and smiled under her mother's hand, which was tickling her, when father and son, with wrinkled finger-tips and glossy cheeks and foreheads (the father's bald spot was particularly glistening), with fluffy white and black hair, and with beaming countenances, entered the room. "It has grown brighter since you have come in," said Natálya Nikoláevna. "O Lord, how white you are!"