About a week or ten days after the laying of the egg, the grub is
hatched, and without delay begins to eat its house. It is a grub of
remarkable wisdom, for it always starts its meal with the thickest part
of the walls, and so avoids making a hole through which it might fall
out of the pear altogether. It soon becomes fat; and indeed it is an
ungainly creature at best, with an enormous hump on its back, and a
skin so transparent that if you hold it up to the light you can see its
internal organs. If the early Egyptian had chanced upon this plump
white grub he would never have suspected it to contain, in an
undeveloped state, the sober beauty of the Scarab!
When first it sheds its skin the insect that appears is not a
full-grown Scarab, though all the Scarab’s features can be recognised.
There are few insects so beautiful as this delicate creature with its
wing-cases living in front of it like a wide pleated scarf and its
fore-legs folded under its head. Half transparent and as yellow as
honey, it looks as though it were carved from a block of amber. For
four weeks it remains in this state, and then it too casts its skin.
Its colouring now is red-and-white,—so many times does the Sacred
Beetle change its garments before it finally appears black as ebony! As
it grows blacker it also grows harder, till it is covered with horny
armour and is a full-grown Beetle.
All this time he is underground, in the pear-shaped nest. Great is his
longing to burst the shell of his prison and come into the sunshine.
Whether he succeeds in doing so depends on circumstances.
It is generally August when he is ready for release, and August as a
rule is the driest and hottest month of the year. If therefore no rain
falls to soften the earth, the cell to be burst and the wall to be
broken defy the strength of the insect, which is helpless against all
that hardness. The soft material of the nest has become an impassable
rampart; it has turned into a sort of brick, baked in the kiln of
summer.
I have, of course, made experiments on insects that are ready to be
released. I lay the hard, dry shells in a box where they remain dry;
and sooner or later I hear a sharp, grating sound inside each cell. It
is the prisoner scraping the wall with the rakes on his forehead and
his fore-feet. Two or three days pass, and no progress seems to have
been made.
I try to help a couple of them by opening a loophole with my knife; but
these favoured ones make no more progress than the others.
In less than a fortnight silence reigns in all the shells. The
prisoners, worn out with their efforts, have all died.
Public-domain text, read in full here on John Shaqi.
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