If he suspects a storm or rain on the surface—matter of great
importance to a delicate grub when he takes off his skin!—he slips
prudently back to the bottom of his snug funnel. But if the weather
seems warm he smashes his ceiling with a few strokes of his claws, and
climbs to the surface.
It is the fluid substance carried by the Cicada-grub in his swollen
body that enables him to get rid of the rubbish in his burrow. As he
digs he sprinkles the dusty earth and turns it into paste. The walls
then become soft and yielding. The mud squeezes into the chinks of the
rough soil, and the grub compresses it with his fat body. This is why,
when he appears at the top, he is always covered with wet stains.
For some time after the Cicada-grub’s first appearance above-ground he
wanders about the neighbourhood, looking for a suitable spot in which
to cast off his skin—a tiny bush, a tuft of thyme, a blade of grass, or
the twig of a shrub. When he finds it he climbs up, and clings to it
firmly with the claws of his fore-feet. His fore-legs stiffen into an
immovable grip.
Then his outer skin begins to split along the middle of the back,
showing the pale-green Cicada within. Presently the head is free; then
the sucker and front legs appear, and finally the hind-legs and the
rumpled wings. The whole insect is free now, except the extreme tip of
his body.
He next performs a wonderful gymnastic feat. High in the air as he is,
fixed to his old skin at one point only, he turns himself over till his
head is hanging downwards. His crumpled wings straighten out, unfurl,
and spread themselves. Then with an almost invisible movement he draws
himself up again by sheer strength, and hooks his fore-legs on to his
empty skin. This movement has released the tip of his body from its
sheath. The whole operation has taken about half an hour.
For a time the freed Cicada does not feel very strong. He must bathe in
air and sunshine before strength and colour come to his frail body.
Hanging to his cast skin by his fore-claws only, he sways at the least
breath of air, still feeble and still green. But at last the brown
tinge appears, and is soon general. Supposing him to have taken
possession of the twig at nine o’clock in the morning, the Cicada flies
away at half-past twelve, leaving his cast skin behind him. Sometimes
it hangs from the twigs for months.
III
THE CICADA’S MUSIC
The Cicada, it appears, loves singing for its own sake. Not content
with carrying an instrument called the cymbal in a cavity behind his
wings, he increases its power by means of sounding-boards under his
chest. Indeed, there is one kind of Cicada who sacrifices a great deal
in order to give full play to his musical tastes. He carries such an
enormous sounding-board that there is hardly any room left for his
vital organs, which are squeezed into a tiny corner. Assuredly one must
be passionately devoted to music thus to clear away one’s internal
organs in order to make room for a musical box!
Public-domain text, read in full here on John Shaqi.
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