Some days later than the others she comes out of the sheath, and shows
herself in all her wretchedness. Call that little fright a Moth! One
cannot easily get used to the idea of so miserable a sight: as a
Caterpillar she was no worse to look at. There are no wings, none at
all; there is no silky fur either. At the tip of her round, tufty body
she wears a crown of dirty-white velvet; on each segment, in the middle
of the back, is a large, rectangular, dark patch—her sole attempts at
ornament. The mother Psyche renounces all the beauty which her name of
Moth seems to promise.
As she leaves her chrysalid sheath she lays her eggs within it, thus
bequeathing the maternal cottage (or the maternal garment, if you will)
to her heirs. As she lays a great many eggs the affair takes some
thirty hours. When the laying is finished she closes the door and makes
everything safe against invasion. For this purpose some kind of wadding
is required. The fond mother makes use of the only ornament which, in
her extreme poverty, she possesses. She wedges the door with the
coronet of velvet which she carries at the tip of her body.
Finally she does even more than this. She makes a rampart of her body
itself. With a convulsive movement she dies on the threshold of her
recent home, her cast chrysalid skin, and there her remains dry up.
Even after death she stays at her post.
If the outer case be now opened it will be found to contain the
chrysalid wrapper, uninjured except for the opening in front, by which
the Psyche came out. The male Moth, when obliged to make his way
through the narrow pass, would find his wings and his plumes very
cumbersome articles. For this reason he makes a start for the door
while he is still in the chrysalis state, and comes half-way out. Then,
as he bursts his amber-coloured tunic, he finds, right in front of him,
an open space where flight is possible.
But the mother Moth, being unprovided with wings and plumes, is not
compelled to take any such precautions. Her cylinder-like form is bare,
and differs very little from that of the Caterpillar. It allows her to
crawl, to slip into the narrow passage, and to come forth without
difficulty. So she leaves her cast skin behind her, right at the back
of the case, well covered by the thatched roof.
And this is an act of prudence, showing her deep concern for the fate
of her eggs. They are, in fact, packed as though in a barrel, in the
parchment-like bag formed by the cast skin. The Moth has methodically
gone on laying eggs in that receptacle till it is full. Not satisfied
with bequeathing her house and her velvet coronet to her offspring, as
the last act of her life she leaves them her skin.
Public-domain text, read in full here on John Shaqi.
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