Facts and Speculations on the Origin and History of Playing CardsChatto, William Andrew
History
Facts and Speculations on the Origin and History of Playing Cards
Chatto, William Andrew
Playing cards -- History
About 1737, Hoyle's 'Treatise on Whist' was first published. The work,
which seems to have been admirably adapted to the wants of society
at the time, was most favorably received; and in the course of the
succeeding ten or twelve years it ran through as many editions as
Lindley Murray's Grammar, in the same period, in modern times. It
proved a "lucky hit," both for the author and the publisher, who took
every precaution to secure their copyright: injunctions were held up
_in terrorem_ against pirates; and purchasers were informed that no
copies of the work were genuine unless they bore the signatures of
[Illustration: Signature of Edmond Hoyle.]
AND
[Illustration: Signature of Tho. Osborne]
The race of "Wits," who had previously exercised no small influence
on the world of fashion, was then on the decline; the beau-monde had
acquired the ascendency over Grub street; and gentlemen of rank and
fashion formed themselves into clubs, for the purposes of gaming and
social intercourse, from which thread-bare poets and hack pamphleteers
were excluded by the very terms of subscription, to say nothing of
the preliminary ordeal of the ballot. Those were the golden days of
Beau Nash; when George the Second was king; and his son, the Duke
of Cumberland, the patron of Broughton and Figg; when Cibber was
Poet-Laureate, and when Quin's brutality passed for wit; when the
Guards, the pride of the army, were such heroes as we see them in
Hogarth's March to Finchley; and when such statesmen as Bubb Doddington
had the entrée, by the back stairs, both at Leicester House and St.
James's. Even those who professed to correct the vices of the age seem
in some degree to have been infected with its spirit; Richardson, the
novelist, writing with the ostensible design of reforming "Rakes"
and retaining innocent young women in the paths of virtue, seems
often to indulge, more especially in Pamela and Clarissa Harlowe, in
describing scenes and suggesting circumstances which only could have
been conceived by a prurient imagination; and even John Wesley appears
to have encouraged his poor converted sinners to exaggerate their
petty vices, when speaking their experience at a love-feast, and to
dwell, with a peculiar kind of complacency, on their former state of
carnal wickedness as compared with their present state of spiritual
grace,--just as William Huntington, S.S., when in the fulness of
sanctity, dwelt on the memory of his former backslidings, and told all
the world, with ill-dissembled pride, that his first-born love-begotten
son was an exact copy of his father, both in humour and in person.
Public-domain text, read in full here on John Shaqi.
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