Facts and Speculations on the Origin and History of Playing CardsChatto, William Andrew
History
Facts and Speculations on the Origin and History of Playing Cards
Chatto, William Andrew
Playing cards -- History
According to Père Daniel's reading of the cards, which is of the same
ingenious character as that of the soldier who is said to have used his
pack as a Manual of Devotions,[241] the Ace is the Latin As, a piece of
money, which also signifies wealth; and as money is the sinews of war,
the Ace has for this reason the precedence at Piquet. The Trèfle, or
clover plant, which abounds in the meadows of France, denotes that a
general ought always to encamp his army in a place where he may obtain
forage for his cavalry. Piques and Carreaux signify magazines of arms,
which ought always to be well stored. The Carreaux were a kind of heavy
arrows which were shot from a crossbow, and which were so called from
their heads being squared [carré]. Cœurs,--Hearts,--signified the
courage of the commanders and the soldiers.
David, Alexander, Cæsar, and Charlemagne are at the head of the four
suits at Piquet, because troops, however brave and numerous, yet
require prudent and experienced leaders. The Queens are, Argine, for
Trèfle; Rachel, for Carreau; Pallas, for Pique; and Judith, for Cœur.
In Argine, Père Daniel finds the anagram of Regina, and having made
this capital discovery, he is enabled to determine that this Queen was
Mary of Anjou, wife of Charles VII. Rachel represents the fair Agnes
Sorel, mistress of Charles VII; and the chaste and warlike Pallas is
but an emblem of Joan of Arc. Judith is not the Jewish heroine who cut
off the head of Holofernes, but the Empress Judith, wife of Louis le
Debonnaire; but even this Judith is merely a representative of Isabel
of Bavaria, wife of Charles VI. In David he sees a typification of
Charles VII, in consequence of a conformity in their destinies: David,
after having been long persecuted by Saul, his father-in-law, at length
obtained the crown; but, in the midst of his prosperity, was troubled
with the revolt of his son Absalom: and Charles VII, after having been
disinherited and proscribed by his father Charles VI,--or rather by
Isabel of Bavaria,--gloriously reconquered his kingdom; but the latter
years of his life were rendered unhappy by the restless spirit and
wicked character of his son, Louis XI.
In his account of the Valets, Père Daniel is not so imaginative as
in the explication of the double and triple characters which he sees
represented by the Kings and Queens. La Hire is the famous Stephen de
Vignoles, surnamed La Hire, a devoted adherent of Charles VII; while
Hector is supposed to be intended for Hector de Galard, another famous
captain of the same period. Hogier and Lancelot are allowed to pass
simply in their own proper characters, as heroes of romance.[242]
Public-domain text, read in full here on John Shaqi.
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