Facts and Speculations on the Origin and History of Playing CardsChatto, William Andrew
History
Facts and Speculations on the Origin and History of Playing Cards
Chatto, William Andrew
Playing cards -- History
In the collection of Thomas Wilson, Esq., there were twenty-nine of
those cards, together with fourteen drawings of other cards of the
same pack, and eleven animals on separate plates, forming the marks
of the suits.[258] Those cards were purchased of Mr. Wilson by Mr.
Tiffin, printseller, West Strand, who again sold them to the
Bibliothèque du Roi, where others of the same pack are also preserved.
Fac-similes of thirty-seven are given in the 'Jeux de Cartes Tarots
et de Cartes Numérales,' published by the Society of Bibliophiles
François. In the Table des Matières prefixed to that work, it is
indeed said that there are forty; but, on looking at their plate, No.
91, it will be perceived that the three coat cards there given do not
properly belong to the pack in question; for the mark on two of them
is a kind of flower something like a sweet-pea, and on the other it is
a rose.[259] Mons. Duchesne, who appears to have supplied the Précis
Historique prefixed to the work above named, should have distinctly
mentioned that the three coat cards in question were not of the same
pack or set, which has Human figures, Bears and Lions, Deer, and Birds,
as the marks of the suits. If they really did belong to the same pack,
it must then have consisted of at least six suits.
[Illustration]
[Illustration]
[Illustration]
[Illustration]
The annexed four cards, engraved on copper, are copied from specimens
given by Breitkopf, in his 'Enquiry into the Origin of Playing Cards;'
who there describes them as "German Piquet cards of the fifteenth
century with Trappola characters."[260] The complete pack appears to
have consisted of fifty-two cards; each of the four suits containing
a King, Queen, and Valet, or Knave, as we term the character; together
with ten numeral cards. The marks of the suits were Swords; Clubs
(proper, not Trèfles); Cups; and Pomegranates. The latter mark is
substituted for that of Money; and was perhaps intended by the artist
to commemorate the marriage of Philip the Fair, son of the Emperor
Maximilian, with Joanna, daughter of Ferdinand and Isabella, King and
Queen of Spain; who, on their subjugation of the kingdom of Grenada, in
1497, appear to have adopted the _Granada_, or Pomegranate, as one of
their badges.[261] The cards unquestionably belong to that period; and
in support of the speculation, it may be further observed that they are
generally ascribed to Israel van Mecken; who, as a native of Bocholt,
was a subject of Philip, who inherited the Netherlands, in right of his
mother, Mary of Burgundy.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account