Facts and Speculations on the Origin and History of Playing CardsChatto, William Andrew
History
Facts and Speculations on the Origin and History of Playing Cards
Chatto, William Andrew
Playing cards -- History
In the oldest cards of the German and Spanish type there appears to
have been no Queen. In the German pack, the second coat card was a kind
of superior officer, distinguished as OBER,--Upper, Superior; while the
third, corresponding with our Knave, was named UNTER,--Inferior.[265]
The Spaniards called the second coat card CABALLO,--the Horseman
or Knight;--and the Knave they called SOTA, a word which, in the
Dictionary of the Spanish Academy, is said to be derived from the
Italian _soto_, signifying 'under.'[266] The Italians called their
second coat card CAVALLO, and the third FANTE; in each of the four
suits the principal coat card was the King. It would, however, appear
that at an early period, the Italians occasionally substituted a Queen
for the Cavallo; and if the cards formerly belonging to the Marquis
Girolamo be really of so early a date as is assigned to them by
Millin,[267] it would seem that the French have no just title to the
"honour" of being the first to introduce a Queen as the second coat
card, and that in having made "Place aux Dames," in the pack, they had
only followed the example set them by the Italians.
Millin's notice of those cards is to the following effect: "In the
collection of the Marquis Girolamo, at Venice, there are some cards
of very early date,--about the beginning of the fifteenth century.
They are larger than the ordinary cards of the present day; they are
also very thick; and the material of which they are formed resembles
the cotton paper of ancient manuscripts. The figures, which are
impressed--'imprimées'--on a gold ground, consist of three Kings, two
Queens, and two Valets, one of the last being on horseback. Each figure
has a Baton, a Sword, or a piece of Money [as the mark of the suit].
The design is very like that of Jacobello del Fiore; but the work
has the appearance of impression, and the colours seem to have been
applied by means of a stencil. They are the most ancient specimens of
their kind."[268]
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