The old white horse--like the whisk broom and the Rogers group, a part
of the furniture of the General Minot place--plodded along the dusty
road and the blue truck-wagon rolled and rattled behind him. Captain
Kendrick, settling his invalid limbs in the most comfortable fashion,
lay back upon the seaweed and stared at the sky seen through the
branches of elms and silver-leaf poplars which arched above. He made no
attempt to look over the sides of the cart. Raising himself upon an
elbow to do so entailed a good deal of exertion and this was his first
trip abroad since his accident. Besides, seeing would probably mean
being seen and he was not in the mood to answer the questions of
curious, even if sympathetic, townsfolk. Judah made several attempts at
conversation, but the replies were not satisfactory, so he gave it up
after a little and, as was his habit, once more broke forth in song.
Judah Cahoon, besides being sea cook on many, many voyages, had been
"chantey man" on almost as many. His repertoire was, therefore,
extensive and at times astonishing. Now, as he rocked back and forth
upon the wagon seat, he caroled, not the _Dreadnought_ chantey, but
another, which told of a Yankee ship sailing down the Congo River,
evidently in the old days of the slave trade.
"'Who do you think is the cap'n of her?
Blow, boys, blow!
Old Holy Joe, the darky lover,
Blow, my bully boys, blow!
'What do you think they've got for dinner?
Blow, boys, blow!
Hot water soup, but a dum sight thinner,
Blow, my bully boys, blow!
'Oh, blow to-day and blow to-morrer,
Blow, boys, blow!
And blow for all old salts in sorrer,
Blow, my bully----'
"Oh, say, Cap'n Sears!"
"Yes, Judah?"
"They've put up the name sign on the Fair Harbor since you was in
Bayport afore, ain't they? We're right off abreast of it now. Can't you
hist yourself up and look over the side? It's some consider'ble of a
sign, that is. Lobelia she left word to have that sign painted and set
up last time she was here. She's over acrost in one of them Eyetalian
ports now, so I understand, her and that feller she married. Eh? Ain't
that quite a sign, now, Cap'n?"
Kendrick, because his driver seemed to be so eager, sat up and looked
over the sideboard of the truck-wagon. The vehicle was just passing a
long stretch of ornate black iron fence in the center of which was a
still more ornate gate with an iron arch above it. In the curve of the
arch swung a black sign, its edges gilded, and with this legend printed
upon it in gilt letters:
FAIR HARBOR
For Mariners' Women
"Without, the stormy winds increase,
Within the harbor all is peace."
Behind the fence was a good-sized tract of lawn heavily shaded with
trees, a brick walk, and at the rear a large house. The house itself was
of the stately Colonial type and its simple dignity was in marked
contrast to the fence.
Public-domain text, read in full here on John Shaqi.
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