Fair play : $b a novelSouthworth, Emma Dorothy Eliza Nevitte
General
Fair play : $b a novel
Southworth, Emma Dorothy Eliza Nevitte
American fiction -- 19th century
“Yes; it is a pity; but I suppose their earlier meeting is prohibited to
prevent confusion and delay. I saw Alba’s parents roll by in their open
barouche as I came down here. And there are Elfie’s father and two
uncles riding up on horseback. And my dear father and brother, or both,
will be here presently. But, Britomarte, who is coming for you?”
“No one. No one ever does come, nor do I wish that any should. I am
contented, darling.”
“You are self-reliant! But, dear Britomarte, I will be near you, so do
remember that one will watch your ordeal with as much interest as
father, mother, sister and brother, all combined, could do; and will
mourn over your defeat, or rejoice over your victory, more than over her
own.”
“I do believe it, my darling! And therefore I take pleasure in assuring
you that you shall have cause only for rejoicing. I shall achieve a
victory, Erminie.”
“Yes! I never doubted that! I was always sure of that. What is your
theme, dear Britomarte? You will not object to tell me, now that the
reading is so near.”
“My dearest, I should not have objected to tell you at any period, if
you had asked me to do so. My theme is the ‘Civil and Political Rights
of Woman.’”
“What a tremendous subject! Britomarte, dear, you will be sent to
Coventry by all the professors.”
“Perhaps! But do you think I shall go there?” laughed the beauty.
By this time they were approaching the college through the roseries, as
the terraces, adorned principally with these beautiful flowers, were
called. On the upper terrace they made a turn to the left, to avoid the
carriages that were continually rolling up to the front entrance,
depositing their freights and rolling off again.
The two friends entered a side door, and found themselves in a large
ante-room, in which were assembled all their schoolmates in the festive
school uniform of pure white muslin dresses, pink ribbons and rose
wreaths.
And among them walked Alba Goldsborough, the blond beauty and wealthy
heiress, and Elfrida Fielding, the bright little brunette country girl.
These two girls walked apart, with their arms around each other’s
waists, conversing in confidential whispers.
“They are still talking of Britomarte!” said Erminie, indignantly, to
herself, and as she looked at them her suspicion was confirmed; for as
soon as they saw her with Britomarte they ceased to talk, and began to
look embarrassed. But before the quartet of friends could meet, the
great folding doors, separating the ante-room from the exhibition hall,
were thrown open, and two of the teachers appeared to marshal the pupils
to the scene of their approaching ordeal.
Promptly and quietly they fell into line and marched into the hall—a
spacious room of the Corinthian order of architecture, fitted up as a
temple of the muses—the nine muses being represented by nine statues
supporting the arches separating the platform from the part of the hall
occupied by the audience.
Public-domain text, read in full here on John Shaqi.
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