This done, she took off her yellow kid gloves carefully, finger by
finger, and blew them out into a shapely little hand like Zephyr's, to
the dangerous amusement of a child in the next pew. Antony confiscated
the gloves. By squeezing up her eyes and making a lorgnon of her pretty
bare hand, Bella scrutinized the solemn preacher. Antony severely
refused her pencils and paper and remained deaf to her soft questions,
and, thrown on her own resources, Bella extracted her father's huge
Bible from the rack and, to Fairfax's relief, with much turning of the
leaves she finally found a favourite chapter in Revelation and settled
down and immersed herself in the Apocalypse. She read with fervour, her
bonnet back on her rebellious hair, her legs crossed in defiance of
every rule of polite demeanour. Something of the sermon's eloquent,
passionate savagery was heard by Fairfax, and at the close, as the
preacher rose to his climax, Bella heard too. At the text, "There shall
be no more night there, neither candle nor light of the sun," she shut
her book.
"He is preaching from my chapter, Cousin Antony," she whispered; "isn't
it perfectly beautiful?"
Fairfax learned to wait for this phrase of hers, a ready approval of
sensuous and lovely and poetic things. He learned to wait for it as one
does for a word of praise from a sympathetic companion. Gardiner woke up
and yawned, and Fairfax got him on his feet; his tumbled blonde head
reached just to the hymnbook rail. He was a pretty picture with his
flushed soft cheeks, red as roses, and his sleepy eyes wide. So they
stood for the solemn benediction, "The love of God ... go with you ...
always."
CHAPTER VIII
He decided not to be the one to shut doors against himself. If life as
it went on chose with backward fling to close portals behind him of its
own accord, he at least would not assist fate, and with both hands,
generously, as his heart was generous, Fairfax threw all gates wide.
Therefore with no _arriere pensee_ or any rankling thought, he went on
the appointed afternoon to teach his little cousins the rudiments of
drawing.
Public-domain text, read in full here on John Shaqi.
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