He indistinctly heard Dearborn open the door. A woman slipped in and
went over and sat down by her lover. The two sat together holding hands,
and "Sweet Afton" flowed on, and nobody's dream was disturbed. Little
Gardiner slept his peaceful sleep in his child's grave; his mother slept
her sleep in a Southern cemetery; the Angel of Resurrection raised his
spotless wings over the city of the silent dead, and Antony's heart
swelled in his breast.
When the Comtesse Potowski stopped singing no one said a word. Her
husband played a few bars of Werther and she sang the "Love Letters."
Then, before she ceased, Antony was conscious that Nora Scarlet had
recognized him. Before any embarrassment could be between them, he went
over to her and took her hand, saying warmly--
"I am so glad, Miss Scarlet. Dearborn has told me of his good fortune.
He is the best fellow in the world, and I know how lucky he is," and
Nora Scarlet murmured something, with her eyes turned away from him.
Tony turned to Madame Potowski and said ardently, "You must let me come
to see you to-morrow. I want to thank you for this wonderful treat."
And when Potowski and his Aunt Caroline had gone, and when Dearborn had
taken Nora Scarlet home, Antony stood in the studio, which still
vibrated with the tones of the lovely voice. He had lived once again a
part of his old life. This was his mother's sister, and she had made
havoc of her home. He thought of little Bella's visit to him in Albany.
"Mother has done something perfectly terrible, Cousin Antony--something
a daughter is not supposed to know."
Well, the something perfectly terrible was, she had set herself free
from a man she did not love; that she was making Potowski happy; that
she had found her sphere and soared into it.
Fairfax tried in vain to think of himself now and Mary Faversham, but he
could not. The past rushed on him with its palpitating wings. He groaned
and stretched out his arms into the shadows of the room.
"There is something that chains me, holds me prisoner. I am wedded to
something--is it death and a tomb?"
CHAPTER XVIII
Public-domain text, read in full here on John Shaqi.
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